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showing 13 search result out of 13

Gorham Silver: A Responsive Approach to Interpretation

Sustainability and the natural world

The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.

Crusading Saint

College Student Voices

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Robert Arneson, “Funk” Questionnaire © Estate of Robert Arneson/Licensed by VAGA, New York, NY

Robert Arneson / Funk Questionnaire

Curator

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

Collaboration and the Late-Medieval Book

Curator

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

Framing Art and the Art of the Frame

Conservation

Understanding historic frames and how to care for them can be a complicated matter.

Robert Mapplethorpe's Objectification of the Black Male Body

College Student Voices

RISD student Tito Crichton-Stuart analyzes Robert Mapplethorpe’s exoticisation of the black body and proposes potential acquisitions that could serve as counterpoints in the collection

Photography and Race: Blackness and The Self

A Pedagogical Model
College Educators Faculty Teaching

Jane'a Johnson's students explore how blackness is created and recreated as a visual phenomenon in self-directed essays drawing on museum visits and course texts

Defending the Right to Live: Political Prints in Providence, 1971

College

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

Master Craft

Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

Old peasant woman standing, with gloved hands folded across her waist. She's wearing heavy clothing, scarf and hat.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Half-length view of young man in overalls with mouth of jug in his left hand raised to his lips; reins held in his right hand; building visible on horizon beyond field.

American Drawings and Watercolors

Grant Wood's Plowing on Sunday
Curator Drawing

Plowing on Sunday, from about 1934

Reading Inscribed Letters from Roman Macedonia

RISD Museum’s important Greek inscription dates to the period when Rome dominated the Eastern Mediterranean.

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