A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

The discovery of these treasures resembles that of a valuable manuscript. They are a new “Codex Africanus,” not written on fragile papyrus, but in ivory and imperishable brass.

Artist Jane Ogden (British, ca. 1845–1928) painted flowers and other still-life subjects in oil and watercolor.

A graphic design student at the Royal Danish Academy of Fine Arts in Copenhagen, Marta Jeż describes her virtual exhibition project and new possibilities of translating physical exhibitions into digital forms.

A glimpse into the lives of international merchants in Canton, China.

How do you lay an Egyptian mummy to rest in a museum? Our curator considered a number of factors in orienting Nesmin, RISD's Egyptian mummy, in his new case in the freshly renovated gallery, but found a strange coincidence in her final decision.

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

The man in this painting lived in the same era and region as some of colonists seen in this gallery.