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Henri Guérard

An African Woman, after Eva Gonzalès, ca. 1888

Description

Maker

Title

An African Woman, after Eva Gonzalès

Year

ca. 1888

Medium

Zinc etching and aquatint on gray-colored, slightly textured wove paper

Materials/Techniques

Supports

Dimensions

Plate: 37.5 x 29.2 cm (14 3/4 x 11 1/2 inches)

Signature / Inscription / Marks

Signed, in pencil, at LR: H. Guerard; initialed, in red ink, at LL: G. Unidentified stamp in red ink (image of printing press) at LL (not in Lugt). Embossed chopmark at LR: Vielle Montagne.

Identification

State

unknown state

Type

Credit

Esther Mauran Acquisitions Fund

Object Number

2016.107

Projects & Publications

Publications

Exhibition History

Exhibition History

Altered States

June 30 - December 3, 2017

Rather than using a copper plate to make this print, Guérard etched on a piece of recycled zinc that was probably a flattened watering can. The embossed mark of the can’s manufacturer at lower right—the place where older prints and drawings traditionally featured the stamps of illustrious former owners—suggests a humorous nod to the work’s humble origins.

Guérard’s print reinterprets a now-lost painting by his wife, the artist Eva Gonzalès. That painting, related to a work made by her teacher, Edouard Manet, illustrated the interest many French artists had in France’s subjects in African colonies.

Use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use. This object is in the public domain (CC0 1.0). This object is An African Woman, after Eva Gonzalès with the accession number of 2016.107. To request high-resolution files or new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.