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Keisai Eisen

Beauties of the Floating World as Three Musical Instruments (Ukiyo bijin mitate sankyoku), 1820's

Description

Maker

  • Keisai Eisen, 1790-1848, Japanese
  • Moritaya Hanzō, Japanese, publisher

Title

Beauties of the Floating World as Three Musical Instruments (Ukiyo bijin mitate sankyoku)

Year

1820's

Medium

Polychrome woodblock print

Materials/Techniques

Materials

  • ink,
  • color

Techniques

  • wood block,
  • woodcut

Supports

  • paper

Dimensions

Vertical ōban: 38.3 x 26.2 cm (15 1/16 x 10 5/16 inches)

Signature / Inscription / Marks

Signed: Keisai Eisen ga
Seals: Moritaya Hanzō (Publisher); kiwame (Censor)

Place

Japan; Tokyo

Type

  • Works on Paper,
  • Prints

Credit

Bequest of Isaac C. Bates

Object Number

13.1393

Exhibition History

Exhibition History

Samurai At Leisure

November 26, 2019 - May 24, 2020

Sitting underneath cherry blossoms that match her soft pink robe, a young woman strums her shamisen. This three-stringed instrument was ubiquitous in the pleasure quarters, often combined with drums to entertain at parties and performances. For many of the samurai elite, courtesans accomplished in the art of music
and poetry were considered highly appealing.

This print, the right part of a triptych, would have been combined with depictions of two other women playing the zither and the fiddle.

Women of the Floating World

November 9, 1990 - January 6, 1991

Use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use. This object is in the public domain (CC0 1.0). This object is Beauties of the Floating World as Three Musical Instruments (Ukiyo bijin mitate sankyoku) with the accession number of 13.1393. To request high-resolution files or new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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