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Nakamura Hōchū

Ebisu, Otafuku, Daikoku (Otafuku to Ebisu Daikoku)

Maker

Nakamura Hōchū (Japanese, fl. 1790-1813)
Kinkado of Edo (Japanese), publisher
Tampankan (Japanese), printer

Title

Ebisu, Otafuku, Daikoku (Otafuku to Ebisu Daikoku)
Korin gafu (An album of pictures by Korin)

Period

Meiji

Year

late 1800s-early 1900s

Medium

  • polychrome woodblock print

Materials/Techniques

Techniques

  • Polychrome woodblock print

Materials

ink, color

Supports

  • paper

Geography

Place Made: Japan; Place Made: Tokyo

Dimensions

Sheet: 26.2 x 37.9 cm (10 5/16 x 14 15/16 inches)

Identification

Edition

First edition published 1802; this is from a reprinted edition of the late 19th-early 20th century

Credit / Object Number

Credit

Gift of Mrs. Gustav Radeke

Object Number

20.1320

Type

  • Prints

Exhibition History

Happiness and Longevity
Deities of Good Fortune in Japanese Prints
Dec 05, 2003 – Feb 29, 2004
Korin Gafu and the Rimpa Tradition in Japanese Printmaking
Mar 08, 2002 – Jun 02, 2002

Label copy

Daitoku and Ebisu are two of the Seven Gods of Good Fortune. Daitoku, the jolly, fat man with a large sack, is a god of prosperity; Ebisu with his fishing rod is also identified with wealth and prosperity.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

In copyright This object is in copyright

Tombstone

Nakamura Hōchū (Japanese, fl. 1790-1813)
Kinkado of Edo (Japanese), publisher
Tampankan (Japanese), printer
Ebisu, Otafuku, Daikoku (Otafuku to Ebisu Daikoku); Korin gafu (An album of pictures by Korin), late 1800s-early 1900s
Polychrome woodblock print
Sheet: 26.2 x 37.9 cm (10 5/16 x 14 15/16 inches)
Gift of Mrs. Gustav Radeke 20.1320

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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