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Tsukioka Yoshitoshi 月岡芳年

Moon at Mount Inaba (Inabayama no tsuki)

Description

Maker

Tsukioka Yoshitoshi 月岡芳年 (1839-1892
b. in Edo, Japan
worked in Japan)

Title

Moon at Mount Inaba (Inabayama no tsuki)
from the series One Hundred Aspects of the Moon (Tsuki hyakushi)
稲葉山の月
月百姿

Period

Meiji

Year

1885.12.10

Medium

  • polychrome woodblock print

Materials/Techniques

Techniques

  • Polychrome woodblock print

Materials

ink and color

Supports

  • paper

Geography

Place Made: Japan

Dimensions

Plate: 33.3 x 22.7 cm (13 1/8 x 8 15/16 inches)

Signature / Inscription / Marks

Inscription verso, bottom right: [Japanese Characters]

Signature: Yoshitoshi

Seals: Artist's seal | Yoshitoshi no in

Credit / Object Number

Credit

Bequest of Isaac C. Bates

Object Number

13.1376

Type

  • Prints

Exhibition History

Exhibition History

Real and Imagined
Japanese Warrior Prints
Dec 07, 2018 – May 05, 2019

Label copy

Famous warriors are just one of the subjects depicted in Tsukioka Yoshitoshi’s series One Hundred Aspects of the Moon. In this scene he captures the military leader Toyotomi Hideyoshi (1537-1598) scaling Mount Inaba to infiltrate the Saito clan castle at the top. In the 1567 siege, Hideyoshi successfully penetrated the castle from its unguarded rear, opening the front gates for the troops of his lord, Oda Nobunaga (1534-1582).

Heroes and Warriors
Japanese Prints of Historical Narratives and Legendary Tales
Sep 28, 2007 – Jan 13, 2008

Label copy

In 1564, during the siege of the Saito clan stronghold at Gifu Castle on Inaba Mountain, Toyotomi Hideyoshi (1536-98) climbed an unguarded precipitous cliff at night with six reliable men and opened the gates of the castle to the troops of his leader, Oda Nobunaga (1534-82). Hideyoshi, who was destined to be one of the great warlords of the late 16th century, went on to revenge his leader’s death and pursue Nobunaga’s dream of reunifying Japan during a period of factional warfare.

What do you think the artist Yoshitoshi is telling us about Hideyoshi in this print?

Tradition and Innovation in Meiji-Period Prints
Dec 06, 2002 – Mar 02, 2003

Label copy

To assist in the taking of Gifu castle during a siege, Toyotomi Hideyoshi (1537-98), a young commander in the army of Oda Nobunaga (1534-82), scaled a very difficult cliff to gain access to the fortress. This heroic deed was very significant in Nobunaga’s military campaign to unify Japan under his leadership at the end of the 16th century.

19th-Century Japanese Printmaking, Part I
The Heroic, Bizarre, and Supernatural
Sep 09, 1998 – Dec 06, 1998
Samurai, Soldiers, and Idealized Militarism in Japanese Prints
Oct 10, 1991 – Dec 01, 1991
  • More Exhibition History +

Related Objects

Related Objects

Tsukioka Yoshitoshi 月岡芳年

Kaoyo: a glimpse of the moon (Kaoyo kaimami no tsuki), Meiji

Tsukioka Yoshitoshi 月岡芳年

Dawn Moon and Tumbling Snow: Kobayashi Heihachirō (Seppu no gyōgetsu: Kobayashi Heihachirō), Meiji

Tsukioka Yoshitoshi 月岡芳年

Moon at Seson Temple: Captain Yoshitaka (Shosho Yoshitaka Sesonji no tsuki), Meiji
Japanese print of a woman, with floor-length black hair, wearing a white robe, facing a gray, winged creature under a crescent moon. The woman sits beneath an open orange robe.

Tsukioka Yoshitoshi 月岡芳年

Iga no Tsubone: Midnight moon Mount Yoshino (吉野山夜半月 伊賀局 Yoshinoyama yahan tsuki: Iga no Tsubone), Meiji

More objects +

Use & Feedback

Image use

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This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Tsukioka Yoshitoshi 月岡芳年 (1839-1892
b. in Edo, Japan
worked in Japan)
Akiyama Buemon 秋山武右衛門, publisher
Yamamoto Shōun (Japanese, 1870-1965), block carver
Moon at Mount Inaba (Inabayama no tsuki); from the series One Hundred Aspects of the Moon (Tsuki hyakushi); 稲葉山の月; 月百姿, 1885.12.10
Polychrome woodblock print
Plate: 33.3 x 22.7 cm (13 1/8 x 8 15/16 inches)
Bequest of Isaac C. Bates 13.1376

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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