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In an etching on beige paper, a little person sits cross-legged among books, papers, and a pot of ink. He wears an 18th-century suit and wide-brimmed hat. Text at the bottom is in Spanish. Translated into English reads: “Taken and captured from the original painting of Diego Velazquez which represents the Dwarf of King Philip IV by Francisco Goya, [illegible] in the Royal Palace of Madrid, 1773.”
  • In an etching on beige paper, a little person sits cross-legged among books, papers, and a pot of ink. He wears an 18th-century suit and wide-brimmed hat. Text at the bottom is in Spanish. Translated into English reads: “Taken and captured from the original painting of Diego Velazquez which represents the Dwarf of King Philip IV by Francisco Goya, [illegible] in the Royal Palace of Madrid, 1773.”

Francisco José de Goya y Lucientes

Un Enano (A Dwarf) / El Primo

Maker

Francisco José de Goya y Lucientes (Spanish, 1746-1828), etcher
After Diego Rodríguez de Silva y Velázquez (Spanish, 1599-1660), designer

Title

Un Enano (A Dwarf) / El Primo

Year

1778

Medium

  • Etching on paper

Materials/Techniques

Techniques

  • Etching on paper

Materials

etching

Supports

  • medium weight cream wove paper

Dimensions

21.6 x 15.6 cm (8 1/2 x 6 1/8 inches) (plate)

Signature / Inscription / Marks

Lettered below image: "Sacada y gravada del Quadro original de D. Diego Velazquez en que representa al vivo un Enano del S. Phelipe IV por D. Francisco Goya Pintor. Existe en el R.l Palacio de Madrid. Año 1778"

Identification

Standard Reference Number

Harris 1964, no. 16.III.1

Credit / Object Number

Credit

Museum Works of Art Fund

Object Number

48.418

Type

  • Prints

Publications

  • Journal

Manual / Issue 17: Variance

This issue complements the RISD Museum exhibition Variance: Making, Unmaking, and Remaking Disability, on view through October 9, 2022.

Exhibition History

Variance
Making, Unmaking, and Remaking Disability
Feb 01, 2022 – Oct 09, 2022

Label copy

These representations of people of short stature are significant for their variation. Levine’s fictive example of a little person with a bored expression makes comedy of the woman whose train he holds. In contrast, Goya’s print presents a stately little person, an enormous book opened on his lap. This print is based on Velázquez’s ca. 1645 painting of El Primo, or Don Diego de Acedo. El Primo was a jester in the court of Philip IV of Spain, as people with dwarfism were then considered entertaining merely on the grounds of their embodiment. Lavinia Warren is the woman in both images in the case below. Born to an affluent family, she worked as an educator before electing to professionally perform her difference for profit. By contrasting El Primo with Warren, we can consider the range of agency these people might have had.

Related Objects

Francisco José de Goya y Lucientes

Title Page

More objects +

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Francisco José de Goya y Lucientes (Spanish, 1746-1828), etcher
After Diego Rodríguez de Silva y Velázquez (Spanish, 1599-1660), designer
Un Enano (A Dwarf) / El Primo, 1778
Etching on paper
21.6 x 15.6 cm (8 1/2 x 6 1/8 inches) (plate)
Museum Works of Art Fund 48.418

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