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  • Turquoise watercolor figures against a red wash. On the right, two figures harvesting sugarcane are watched by a figure holding a whip. On the left, a figure is whipping another.

Kara Walker

Whip

Maker

Kara Walker (American, b. 1969 in Stockton, CA), (RISD MFA 1994, Printmaking)

Title

Whip

Year

2014

Medium

  • Watercolor on paper

Materials/Techniques

Techniques

  • Watercolor on paper

Dimensions

57.2 x 76.2 cm (22 1/2 x 30 inches)

Signature / Inscription / Marks

Signed on verso: KW 14661

Credit / Object Number

Credit

Paula and Leonard Granoff Fund

Object Number

2015.15.2

Type

  • Drawings and Watercolors

Publications

  • Journal

Manual / Issue 10: Polychrome

Exhibition History

On Paper
Gifts from Paula and Leonard Granoff
Oct 29, 2022 – Apr 16, 2023

Label copy

With fluent brushwork, Kara Walker depicts a brutal scene. Two slaves harvest sugarcane in the fore­ground, an overseer stands with a whip in the middle ground, and, in the background, a figure defecates while being branded. The crimson wash seems to suggest the blood shed for the sugar trade.

Walker made this watercolor in the wake of A Subtlety, her monumental 2014 installation in a former sugar refinery in Brooklyn, New York. A Subtlety examined the violent history of sugar pro­duction in the Caribbean and the enslaved people who fed the desire for sugar in all its forms.

–Jan Howard, Houghton P. Metcalf Jr. Curator of Prints, Drawings, and Photographs

Drawing Conclusions
Jan 22, 2016 – Sep 25, 2016

Label copy

This watercolor addresses the complicated and brutal histories of slavery and the sugar trade. Whip is saturated with trauma and pain; sketched on a ground of crimson wash, a slave harvesting sugar cane casts an apprehensive backward glance.

Kara Walker made this watercolor in the wake of A Subtlety (2014), her monumental installation in a former sugar refinery in Brooklyn, New York. Throughout its duration, A Subtlety served as a site that examined the fraught history of sugar production and honored the Caribbean slaves who fed the desire for sugar in all its forms. These watercolors are similarly discomfiting, prompting the viewer to consider how the dark histories of human behavior continue to inform the present.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

In copyright This object is in copyright

Tombstone

Kara Walker (American, b. 1969 in Stockton, CA)
Whip, 2014
Watercolor on paper
57.2 x 76.2 cm (22 1/2 x 30 inches)
Paula and Leonard Granoff Fund 2015.15.2

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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