College

It's impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.

Artist Peyton North (RISD BFA 2015, Textiles) shows us how to create stripes on a knitting machine.

RISD student Joanna Cortez shares how the RISD Museum served the Providence community during World War II. Joanna participated in the Museum's Andrew W. Mellon Summer Internship Program this summer.

Graphic design students and professionals offer their visions of "Graphic Design Next."

A wooden “do not touch” partition usually separates the period room in Pendleton House from the public. But one Monday in June, that partition was removed, and museum staff peopled the room.

Painting student Davis Lloyd recollects stumbling across an unlikely source of inspiration, and connection between ancient art and contemporary painting.

Why is an Etruscan situla, or pail, one of the most important objects in RISD's ancient collection? We examine its form, decoration, and context to understand its unique place in European archaeology.

The process of mold-making and casting invites creative experimentation, but follows rules of precise timing and size. Artist Marisa Marofske (RISD BFA Painting, 2014) explains the steps involved in casting objects.

A jade lithophone from 18th-century China offers insight to the significant role of ritual music in ancient China—as an essential part of state rite to assert the legitimacy of reign.

In creating Back Door @ the Pendleton, I relocated meaning from the art object to its context and used humor to alter the atmosphere of the Museum.

How do you lay an Egyptian mummy to rest in a museum? Our curator considered a number of factors in orienting Nesmin, RISD's Egyptian mummy, in his new case in the freshly renovated gallery, but found a strange coincidence in her final decision.

Over the last 2,000 years, Nesmin has been a priest, a mummy, and a museum exhibit. RISD Museum intern Jonathan Migliori discusses Nesmin's influence in his life.

Collaborative reflections on the making and meaning of absences and erasures.

Isabella McCormick (Brown/RISD 2015) explores the intricacies of the Gorham Narragansett Salad Set and their reflections on Rhode Island culture, insights gained from her meticulous cleaning of the utensils as part of her Mellon Summer Internship in conservation.

Designing furniture for the installation "School House Long House" in the exhibition "Locally Made", designer Simcha Davis looked to Shaker craftsmanship to match the spirit of the space. Download her design.

RISD Museum intern Alicia Valencia (RISD 2015, Furniture) explains how the act of looking closely formed her impressions on Samuel Gragg's Elastic armchair.