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Yoshida Hiroshi 吉田博, Sailboats, Fog (Hansen, kiri), Edo Period. Gift of the Fazzano Brothers

Abby Aldrich Rockefeller Japanese Print Collection

May 13 - December 4, 2016
Yoshida Hiroshi 吉田博, Sailboats, Fog (Hansen, kiri), Edo Period. Gift of the Fazzano Brothers

Introduction

Japanese color woodblock prints had a lasting impact on artists working in the United States and Britain during the first half of the twentieth century. The subject matter, composition, and technique of these works inspired some Western artists to travel and study in Japan. Others were influenced through exhibitions, workshops, and teachers that promoted aspects of Japanese art. These educational opportunities were often accessible to women-as is evident by their

representation in this display-allowing female printmakers to experiment avidly with technique and subject matter at this time. Their prints are arranged with those of Japanese artists in groups that focus on visual connections and recurring themes. Subjects such as light and night, water, landscape, the seasons, foliage, and flowers served as a starting point for these American and British artists to adapt, experiment with, and pay homage to the originality they saw in Japanese prints.

The exhibition was organized by Nancy Friese, Andrew W. Mellon Museum Faculty Fellow in the Department of Prints, Drawings, and Photographs.

Some of these prints were given to the Museum by Abby Aldrich Rockefeller (1874-1948), a daughter of Rhode Island senator Nelson W. Aldrich and the wife of John D. Rockefeller, Jr. A lifelong supporter of the arts, Mrs. Rockefeller assembled a remarkable collection of Asian woodblock prints. In all, she donated more than 700 Japanese prints to the RISD Museum.

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Painting Air Spencer Finch

Spencer Finch, an artist known internationally for artwork that captures fleeting or intangible natural phenomena and sensory experiences, received his MFA in Sculpture from RISD in 1989. In the two decades since, Finch has created drawings, watercolors, photography, and video as well as sculpture and installations-selecting mediums and methods that seem best suited to conveying his fascination with light, color, and atmosphere. His focus of attention ranges from a speck of dust seen in a shaft of light in his studio to grand glaciers in New Zealand.

Related Objects

Kubo Shunman 窪俊満

Iris and Peony (牡丹 燕子花 Botan kakitsubata), Meiji

Keiri

Dragonfly and Flower (Kabocha ni tonbo), Edo Period

Elizabeth Keith

Returning From the Funeral

Utagawa Kunisada II 二代歌川国貞

Herbaceous Peonies and Great Tits, Edo Period

Abby Aldrich Rockefeller Japanese Print Collection

May 13 - December 4, 2016
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