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A Japanese print of a ghostly figure with long black hair hovering at the center pf the print, holding a baby and looking down. The figure is tethered to a tied cloth hanging to its right.
Utagawa Kunisada 歌川 国貞 (Toyokuni III), Onoe Kikugoro in the role of the ghost Kasane (尾上菊五郎 かさねゆうこん Onoe Kikugoro: Kasane yūkon), Edo Period. Helen M. Danforth Acquisition Fund

Defying Boundaries

Women in Japanese Art
April 27 - November 4, 2024
A Japanese print of a ghostly figure with long black hair hovering at the center pf the print, holding a baby and looking down. The figure is tethered to a tied cloth hanging to its right.
Utagawa Kunisada 歌川 国貞 (Toyokuni III), Onoe Kikugoro in the role of the ghost Kasane (尾上菊五郎 かさねゆうこん Onoe Kikugoro: Kasane yūkon), Edo Period. Helen M. Danforth Acquisition Fund

Introduction

This exhibition addresses often-overlooked histories and stories of women in Japanese art. Marginalized in modern and historical accounts that focused on men, these women were nevertheless very much present in Japanese visual culture. From warriors and poets memorialized in prints to pioneering Japanese artists, these works offer glimpses of those who broke boundaries and inspired generations of artists and illustrators.

Also portrayed in this exhibition are famous performers of female roles, or onnagata 女方. When women were banned from acting in the Kabuki theater in 1629, some male actors began specializing in women’s parts, redefining the concept of femininity in their time. Female impersonators became arbiters of style and models of femininity, both onstage and offstage. 

–Wai Yee Chiong, curator of Asian art

Wai Yee Chiong, curator of Asian art

RISD Museum is supported by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts, and with the generous partnership of the Rhode Island School of Design, its Board of Trustees, and Museum Governors.

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Related Objects

Japanese print of a standing figure wearing a black and yellow floral patterned robe looking down to their left. Behind the figure is a yellow house with floral embellishments.

Okumura Toshinobu 奥村利信

Segawa Kikunojō I 瀬川菊之丞, Edo Period
Japanese print of a woman, standing, wearing a yellow robe with orange flowers throughout. The woman’s hair is pushed back and is holding a balanced rod of hay.

Torii Kiyomitsu I 鳥居清満

Segawa Kikunojō II as the Princess Usuyukihime (うすゆきひめ 瀬川菊之丞Usuyukihime Segawa Kikunojō), Edo Period

Defying Boundaries : Women in Japanese Art

April 27 - November 4, 2024
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