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  • Japanese print of a woman, standing, wearing a yellow robe with orange flowers throughout. The woman’s hair is pushed back and is holding a balanced rod of hay.

Torii Kiyomitsu I 鳥居清満

Segawa Kikunojō II as the Princess Usuyukihime (うすゆきひめ 瀬川菊之丞Usuyukihime Segawa Kikunojō)

Maker

Torii Kiyomitsu I 鳥居清満 (ca. 1735-1785
worked in Edo, Japan)

Title

Segawa Kikunojō II as the Princess Usuyukihime (うすゆきひめ 瀬川菊之丞Usuyukihime Segawa Kikunojō)

Period

Edo Period

Year

ca. 1760

Medium

  • Polychrome woodblock print (benizuri-e)

Materials/Techniques

Techniques

  • Polychrome woodblock print (benizuri-e)

Materials

ink, color

Supports

  • paper

Geography

Place Made: Japan

Dimensions

Hosoban: 31.1 x 13.7 cm (12 1/4 x 5 3/8 inches)

Signature / Inscription / Marks

Inscription Text/Poem: Poem reads: Aki no no ya(translates to) In a contest of colors kumo iro iro no (translates to) is a myriad of colored clouds iro kurabe (translates to) over the autumn hillsThe cat. file contains another reading of the poem, the word "kumo" cloud apparently read as "koi," love. The season is clearly autumn.(The cataloguer is rejecting Roger Keyes's reading of the character in 2003.12/12/2007DDG)

Signature: Torii Kiyomitsu hitsu

Seals: Publisher's seal

Marks: Inscription verso, bottom center in pencil: 15.00

Credit / Object Number

Credit

Gift of Mrs. Gustav Radeke

Object Number

20.1073

Type

  • Prints

Exhibition History

Defying Boundaries
Women in Japanese Art
Apr 27, 2024 – Nov 04, 2024

Label copy

These prints depict Segawa Kikunojō I, Kikunojō II, and Kikunojō III, famous onnagata (女方), or actors who portrayed legendary beauties and heroines in the Kabuki theater of the 1700s and early 1800s. Onnagata set trends and broke boundaries beyond the theather. Kikunojō I was said to have lived like a woman, imbuing his performance with realism; Kikunojō II was so popular, fashion items were named after him; and Kikunojō III, said to have excelled in courtesan roles, had cosmetics branded after him. The actors appear here dressed as women, their hair arranged according to the latest styles of the day. For many Japanese people, they symbolized the pinnacle of femininity and womanhood.

Edo Theater
The Drama of Kabuki
Jan 18, 2008 – May 18, 2008

Label copy

Segawa Kikunojo II was a famed female impersonator (onnagata) on the kabuki stage. The two columns of inscription in the upper right give his name and that of his role. The remainder of the text is a poem.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Torii Kiyomitsu I 鳥居清満 (ca. 1735-1785
worked in Edo, Japan)
Yamashiroya 山城屋 , publisher
Segawa Kikunojō II as the Princess Usuyukihime (うすゆきひめ 瀬川菊之丞Usuyukihime Segawa Kikunojō), ca. 1760
Polychrome woodblock print (benizuri-e)
Hosoban: 31.1 x 13.7 cm (12 1/4 x 5 3/8 inches)
Gift of Mrs. Gustav Radeke 20.1073

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Feedback

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