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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022
A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Introduction

This exhibition invites you to consider what drawings look like, what they were made from, and why they were made. Highlighting the most common drawing materials and techniques employed by European artists from the 1500s through the 1800s, seven sections discuss some of the functions these works served in the artists’ studios and the world beyond. This emphasis on materials and purposes moves beyond chronology or national classifications, encouraging nonlinear explorations of variety of works European artists produced during their first 400 years of drawing on paper the remarkable variety of works European artists produced during their first 400 years of drawing on paper.

The RISD Museum’s collection exists to teach and inspire the next generations of artists and makers, and it continues to be a resource for exploration, critical reflection, and wonder for wider audiences. Drawing Closer is the first step, whether you are encountering these works for the first time or looking at them afresh.

Jamie Gabbarelli

Prince Trust Associate Curator, Art Institute of Chicago

Former Associate Curator of Prints, Drawings, and Photographs, RISD Museum

Jamie Gabbarelli

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Publications

  • Digital Publication

Drawing Closer: Four Hundred Years of Drawing from the RISD Museum

Related Objects

A lightly drawn pen and ink rendering of a triumphal procession from the Old Testament. Abigail kneels in supplication at enter left. David stands proudly in the middle right.

Hendrik de Clerck

David and Abigail
A decorative drawing depicting the winged allegorical figures of Love, Friendship, and Time. The figures, architectural ruins, and landscape reference ancient Greece.

Jean-Jacques Karpff, called Casimir

L’amour et l’amitié (Love and Friendship; design for printed toile fabric)
A black chalk study of Malchus and the apostle Peter. An anguished Malchus stretches rightward as he fights against Peter’s outreached hand, which appears from off sheet on the left.

Anthony van Dyck

Study for Malchus
A black ink and wash drawing of a lone female figure wearing a gown leaning against a column. She looks off into the distance. The background is gestural and abstract.

George Romney

Study for the Portrait of Frances Woodley (Mrs. Henry Bankes)
A pen and ink with brown wash drawing of Christ’s body being taken down from the Cross by his followers and Mary. The Cross is centered in the drawing.

Ubaldo Gandolfi

Deposition
A pen and ink drawing of a smiling, bewigged French knight. In uniform, he stands facing left, one arm holding a tri-corner hat, the other held up in greeting.

Pier Leone Ghezzi

Le Chevalier de La Motte
An allegorical draped female figure holding an arrow and an olive branch, gazing at the viewer. She stands in front of a bell tower and ship, surrounded by an oval.

Louis-Simon Boizot

Allegorical Figure
Preparatory sketch done in black chalk with many ill-defined figures circumscribed by minimal marks. At center is a seated figure being presented a bolt of cloth by two faceless others.

François Boucher

Hecuba Presents a Garment as a Gift to Athena
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