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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022
A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Introduction

This exhibition invites you to consider what drawings look like, what they were made from, and why they were made. Highlighting the most common drawing materials and techniques employed by European artists from the 1500s through the 1800s, seven sections discuss some of the functions these works served in the artists’ studios and the world beyond. This emphasis on materials and purposes moves beyond chronology or national classifications, encouraging nonlinear explorations of variety of works European artists produced during their first 400 years of drawing on paper the remarkable variety of works European artists produced during their first 400 years of drawing on paper.

The RISD Museum’s collection exists to teach and inspire the next generations of artists and makers, and it continues to be a resource for exploration, critical reflection, and wonder for wider audiences. Drawing Closer is the first step, whether you are encountering these works for the first time or looking at them afresh.

Jamie Gabbarelli

Prince Trust Associate Curator, Art Institute of Chicago

Former Associate Curator of Prints, Drawings, and Photographs, RISD Museum

Jamie Gabbarelli

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Publications

  • Digital Publication

Drawing Closer: Four Hundred Years of Drawing from the RISD Museum

Related Objects

A detailed architectural pencil drawing of a loggia, elaborate staircase, and Renaissance style palace.

Jules Pierre Michel Diéterle

Stage Design for La Fille du Danube
Pen and ink drawing of fifteen whimsical yet grotesque monsters scattered across the page. They are hybrid mixes of human, avian, reptilian, and amphibian parts.

Hieronymus Bosch

Model Sheet with Monsters
A pen and ink with brown wash gestural drawing of Christ’s body being taken down from the Cross by his followers and Mary. The faceless figures create a pyramid form.

Luca Cambiaso

Descent from the Cross
A brown ink and watercolor painting of aqueducts spanning a river in Nimes, France. The river bluff stretches towards the back of the drawing, where it meets the cloud-filled sky.

Thomas Groves

Aqueduct Nîmes
A graphite caricature of writer Melanie Waldor. Melanie is shown in a side profile with exaggerated buck teeth messy upswept hair and eyes rolled into the back of her head.

Tony Johannot

Caricature of Mélanie Waldor
An ink, roundel-shaped drawing of three faces in profile. From left to right: a curly-haired young man, a woman with a veil, and an older, bearded man with a turban.

John Hamilton Mortimer

Three Heads
A black chalk drawing of a peasant man in full profile seated on the ground, leaning against a rock. With his arms folded, he gazes off to the left.

Cornelis Saftleven

A Young Man Seated on Ground
Pen and brown ink and wash drawing of a young man in profile. He regards an owl on a stick while pointing to his chest with his free hand.

Giovanni Francesco Barbieri, called Guercino

A Young Man with an Owl on a Stick
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