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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022
A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Introduction

This exhibition invites you to consider what drawings look like, what they were made from, and why they were made. Highlighting the most common drawing materials and techniques employed by European artists from the 1500s through the 1800s, seven sections discuss some of the functions these works served in the artists’ studios and the world beyond. This emphasis on materials and purposes moves beyond chronology or national classifications, encouraging nonlinear explorations of variety of works European artists produced during their first 400 years of drawing on paper the remarkable variety of works European artists produced during their first 400 years of drawing on paper.

The RISD Museum’s collection exists to teach and inspire the next generations of artists and makers, and it continues to be a resource for exploration, critical reflection, and wonder for wider audiences. Drawing Closer is the first step, whether you are encountering these works for the first time or looking at them afresh.

Jamie Gabbarelli

Prince Trust Associate Curator, Art Institute of Chicago

Former Associate Curator of Prints, Drawings, and Photographs, RISD Museum

Jamie Gabbarelli

Exhibition images

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Publications

  • Digital Publication

Drawing Closer: Four Hundred Years of Drawing from the RISD Museum

Related Objects

Pieter Withoos

Study of Four Butterflies and a Bumblebee
A moody watercolor of the Scottish Highlands. A large blue waterfall and a dramatic sky cast its shadow over the rocky valley. In the foreground are a few figures.

Joseph Mallord William Turner

Glencoe
A pen and ink drawing of a voluminous mountain landscape. At the base of the mountain pass, there is a chaotic battle scene of soldiers and horses.

Rodolphe Bresdin

Battle Scene in a Mountain Pass
Red chalk drawing of a smiling satyr’s head with delicate marks throughout and vigorous crosshatching at the chest. He has pointed ears and curly hair and beard.

Giuseppe Cesari, called Cavaliere d’Arpino

Head of a Satyr
An illusionistic drawing of sheets of printed papers haphazardly piled on a speckled green surface. The papers look convincingly three dimensional but are in fact renderings on a two-dimensional surface.

Willem Robart

Trompe l’Oeil with Printed Matter
A sheet with various pen and ink study drawings. At left is a nude Hercules. At right are various annotations and sketches, including of a man wearing a plumed helmet.

Giovanni Battista Bertani

Double-Sided Sheet: Study for Hercules Victorious over the Hydra (recto); Study of Hercules a Roman Soldier’s Head, and Ornament (verso)
A red crayon and graphite drawing of six seated women. Each performs an action to mark the time of day: awaken, wash, weave, wine, play the lyre, and sleep.

Edward Burne-Jones

The Hours
An ink and wash drawing of scenes from Saint Joseph’s life, including Jesus’ birth and childhood. The scenes are presented within an ornate wall with figurative sculptures at the top.

Marco Tullio Montagna

Scenes from the Life of Saint Joseph
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