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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022
A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Introduction

This exhibition invites you to consider what drawings look like, what they were made from, and why they were made. Highlighting the most common drawing materials and techniques employed by European artists from the 1500s through the 1800s, seven sections discuss some of the functions these works served in the artists’ studios and the world beyond. This emphasis on materials and purposes moves beyond chronology or national classifications, encouraging nonlinear explorations of variety of works European artists produced during their first 400 years of drawing on paper the remarkable variety of works European artists produced during their first 400 years of drawing on paper.

The RISD Museum’s collection exists to teach and inspire the next generations of artists and makers, and it continues to be a resource for exploration, critical reflection, and wonder for wider audiences. Drawing Closer is the first step, whether you are encountering these works for the first time or looking at them afresh.

Jamie Gabbarelli

Prince Trust Associate Curator, Art Institute of Chicago

Former Associate Curator of Prints, Drawings, and Photographs, RISD Museum

Jamie Gabbarelli

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Publications

  • Digital Publication

Drawing Closer: Four Hundred Years of Drawing from the RISD Museum

Related Objects

A pastel and chalk drawing of Saint Hilarion seated and covering his eyes as a glowing, nude light-skinned woman disrobes before him and two other women pull at his arms.

Jean-François Millet

The Temptation of Saint Anthony (?)
A watercolor of a dapper, light-skinned man atop a chestnut-colored horse, holding the reins of the black horse beside him. A dog and light-skinned boy before him expectantly.

Wilhelm von Kobell

Man on Horseback with Another Saddled Horse Beside Him
A satirical watercolor of a wedding divided into two horizontal registers on the sheet. The bride and groom are in the middle surrounded by family. Illegible text accompanies each figure.

George Moutard Woodward

Study for Symptoms of Matrimony

Jean Louis Ernest Meissonier

Page from a Sketchbook: View of a Town (Antibes?)
A black, red, and white chalk portrait of an aristocratic white woman gazing at the viewer. She has red flowers in her curly hair, a neck ruff, and pearl earrings.

Ottavio Leoni

Portrait of the Signora Licinia Leni Marchesa Martinenghi
A loosely drawn pen and ink sketch of Saint Jerome and Saint John. Jerome is with a lion and cherub and John, to his right, looks downward toward a lamb.

Donato Creti

Studies for Saint Jerome and Saint John the Baptist
A red and white chalk study of Vittoria’s marble bust of Guilio Contarini. Contarini is seen in profile, his flowing beard and hair merging with the white of the page.

Giovanni Battista Tiepolo

Study after Alessandro Vittoria's Bust of Giulio Contarini
A pen and ink drawing inside an Italian restaurant. Two long tables filled with patrons recede towards the back door through which a waiter arrives with a heavy tray.

Bartolomeo Pinelli

Pinelli alla Trattoria (Pinelli at the Restaurant)
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