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showing 21 search result out of 214

Adventures in Photomechanical Printmaking

College Student Voices Studio Notes

An intern's hands-on exploration of antique photomechanical processes in the 21st century

Gina Borromeo and Jan Howard at Brown's Center for Public Humanities

Benin Head of an Oba
How did this get here?

RISD Museum curators Jan Howard and Gina Borromeo share the RISD Museum’s process for deaccessioning a bronze head of an oba from Benin prior to its return to Nigeria

Tags

Twill, Tape or Hang
College Student Voices

A summer intern creates an article of clothing inspired by the meticulous logistics of collections care.

Hand of the Maker

College Student Voices

A summer intern works with local artists to create an experimental audio project to be experienced in the galleries.

Anchors and Attractors

College Student Voices

A study of the elements that pull and push a visitor through the museum’s 3rd and 4th floor spaces

Printed Walls

A RISD course in conjunction with "The Art of French Wallpaper Design"
College Faculty Teaching

RISD students in a Printmaking course are creating their own wallpaper designs in a collaborative course.

Reading List

PROCESS

How was the object made? What materials and methods brought it to life? 

Reading List

ORIGINS

How did the object find its way to the museum, and why is it presented this way? 

Maces and Chains

The Ritual and Regalia of Commencement
College Student Voices

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

Design as Repair

The Dosa Travel Coat
Curator

Dubbed a travel coat by artist and designer Christina Kim, this is a garment made for journeys long and far, both real and imagined, for traversing territories in the mind as much as in the physical world.

Boots 2009.92.213

"Two Boots" and Four Portraits

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

Gorham Silver: A Responsive Approach to Interpretation

Sustainability and the natural world

The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.

External Talks and Publications

Clinical Arts

Museum staff and partners have shared our Clinical Arts work at a variety of conferences, symposia, and scholarly publications.

Wood Sculptures at RISD

Excavating the Storage Room
College Faculty Teaching

During the Fall of 2015, Brown’s graduate students in the Department of the History of Art and Architecture undertook an investigation of the wood sculptures in the RISD Museum collections.

Wood in the Middle Ages

College Student Voices

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

THE MAGICAL M(A)US(OL)EUM OF MINNIE N TURNER

College Student Voices

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

RISD Museum Collection API

The RISD Museum collection application program interface (API) lays out how our website’s search function operates, aiding discovery of the museum’s collection and allowing collection data to be used in innovative ways.

RISD Museum Social Equity & Inclusion Work Plan

The RISD Museum is committed to working deliberately, consistently, and compassionately to confront injustice in its many forms. We expect to be challenged and changed by where this collective and responsive work takes us.

Message from Director John W. Smith

Dear Museum Friends,

As the world bears witness to the recent tragedies of George Floyd’s death, the deaths of Breonna Taylor, Ahmaud Arbery, and the countless numbers of Black people before them, it’s difficult to feel like I have anything new to say on a subject that I should meet with respectful listening, but as the director of this institution it is my job to lead both in words and in deeds.

Pan-African Aesthetics: Past, Present, Future

A Hybrid Pedagogical Model
College Educators Faculty Teaching

Students in Jane'a Johnson's wintersession course explore works in the collection related to Pan-Africanism through Instagram-based creative projects.

Extraordinary Ordinary

A Pedagogical Model
College Educators Faculty Teaching

Faculty member Rosa Weinberg reflects on the relevancy of art analysis as a starting point for exploring form in design and as a powerful habit of mind for beginning designers.

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