Skip to main content

Main navigation

  • Visit
  • Exhibitions & Events
  • Art & Design
  • Give
  • Search

Visit Main Menu Block

  • Hours & Admission
  • Accessibility & Amenities
  • Tours & Group Visits
  • Visitor Guidelines

Exhibitions and Events Main Menu Block

  • Exhibitions
  • Events

Art and Design Main Menu Block

  • Collection
  • Collection Research
  • Past Exhibitions
  • Watch / Listen / Read

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum
  • - Any -
  • Article
  • Event
  • Exhibition
  • Publication
  • Research
  • Watch/Listen

showing 24 search result out of 91

The Flower, the Labor, and the Sea

Bhasha Chakrabarti  

b. 1991; from Honolulu, Hawaii; works in New Haven, Connecticut

Ashdeen, design studio

Painted wall mural of Barack Obama and Nelson Mandela along city street with several people walking in front.

Interview with artist Steffani Jemison

Curator Studio Notes Artist

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

The Election Gloves

Studio Notes Artist

Exploring the process and context behind "The Election Gloves", a work created by Cranston artist Jessica Deane Rosner.

Participation through Voting

Jordan Seaberry and Jacob Lawrence on Why It Matters
Educators Student Voices

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

Master Craft

Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

Realistic marble bust depicting a stoic woman whose clothes contrast with the smooth white marble of the bust, the outermost layer being textured black and gray stone, and the innermost tan and striped.

Peregrinations of a Portrait and the Legacy of Agrippina the Younger

College Student Voices

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

Cold Moon X

Studio Notes Artist

Exploring the process and context behind "Cold Moon X", a work created by Jamestown artist Georgia Marsh.

I'm the Sweetest Teddy Bear

Studio Notes Artist

Exploring the process and context behind "I'm the Sweetest Teddy Bear", a work created by North Scituate artist Entang Wiharso.

Reading List

Sustainability & the Natural World
Sustainability and the natural world

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

artist in chair in costume

Bromance

Studio Notes Artist

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

Drawing Outside the Lines

Family

For many of us, a line is the first mark we make. It is a huge developmental milestone when a young child's first scribbles are set to the page (or wall!).

Seeking Visibility

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

Untitled (I don’t think this textile has anything to say to us quite yet but when it does, it’s all mic’d up)

Interview with Object 52.339
College Student Voices

I begin with the assertion that textiles are agents-deemed-objects.

Pixilation Party!

Studio Notes Artist

Pixilation Party!, or how, with the help of dozens of RISD Museum visitors, Providence artist Xander Marro recently created one minute of black and white magic.

American Drawings and Watercolors

William Stanley Haseltine's Amalfi
Curator Drawing

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

The Cycle of Healing

Piecing Together the Past to Set a Blank Canvas for the Future
College Student Voices

This piece is in conversation with the Gee’s Bend quilt

A copper-colored chair with an angular and open frame, with a symmetrical geometric pattern on the seat and backrest.

Objects by Architects

College Student Voices

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

Marsden Hartley's Gorges du Loup, Provence

Curator

Over the course of his artistic life, Marsden Hartley sought unmediated

Redefining "Master Copies"

College Student Voices Studio Notes

A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

A black-toned painting with ominous abstract, elongated forms, faint linear details, small geometric white details, and a small cluster of green, blue, and red color.

Troubled Earth

College Student Voices

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

Excavation to Exhibition: The Afterlife of Ancient Objects

College From the files Student Voices

An intern explores the history of works from the museum’s ancient collection, tracing the archaeological excavations that brought them to light and into the permanent collection.

Pagination

  • First page « First
  • Previous page ‹‹ Previous
  • Page 1
  • Current page 2
  • Page 3
  • Page 4
  • Next page Next ››
  • Last page Last »

/

Download

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum

Footer Main Navigation

  • Visit

    • Hours & Admission
    • Accessibility & Amenities
    • Tours & Group Visits
    • Visitor Guidelines
  • Art & Design

    • Collection Research
    • Collection
    • Past Exhibitions
  • Join / Give

    • Become a Member
    • Give
  • Exhibitions & Events

    • Exhibitions
    • Events
  • Watch / Listen / Read

    • The Latest
    • Publications
    • Articles
    • Audio & Video

Footer Secondary Navigation

  • Who We Are
  • Opportunities
  • Image Request
  • Press Office
  • Rent the Museum
  • Terms of Use
Tickets
Homepage
Go to the risd.edu homepage. This link will open in a new window.