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Teaching a Stone to Talk

Studio Notes Artist

Anya Ventura visits the studio of Rhode Island stone carver Tracy Mahaffey.

What Comes Down Must Go Back Up: Reinstalling RISD's Chihuly Chandelier

Curator

Safely stored away during gallery renovations, all 196 pieces of RISD's Gilded Frost and Jet Chandelier by Dale Chihuly have been expertly reinstalled.

Drawing of Buddha

The Buddha Project: Documentation

Conservation

While the sixth-floor galleries are undergoing an extensive renovation, the Museum is carefully studying and conducting conservation work on the monumental 12th-century wooden Dainichi Nyorai Buddha. When the Buddha is returned to its gallery in late spring 2014, it will be stabilized and we'll know much more about the art that went into creating this nearly 10-foot-tall sculpture.

Photo of Guided visit, ca. 1972.

100 Years of Commitment

Educators From the files

The RISD Museum looks back at 100 years of its docent program, and the program's origins and evolution.

Collaboration and the Late-Medieval Book

Curator

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

Painting and Sculpture storage recreated for the RISD Museum installation of Raid the Icebox.

Raid the Icebox

Curator From the files

In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.

A painting at left depicts a vase and a bowl containing flowers. A photograph on the right shows a recreation of the same scene.

Behind the Still Life

College Student Voices

Ceramics student Lindsay Savoie subverts traditional hierarchies that value painting and sculpture more highly than utilitarian art forms like pottery and photography.

Head of Christ or a Saint

College Student Voices

A colossal Romanesque head in the RISD collection has yet to be securely identified, but the sheen of his nose suggests that it was rubbed by many penitent hands during the course of this sculpture’s life.

The Dramatic Effects of Subtlety

A Fifteenth-Century Virgin and Child
College Student Voices

This late fifteenth-century Virgin and Child was created with subtlety, flexibility, and portability in mind. These features were central to its medieval use—and its use at the RISD Museum.

Christ in the House of Simon the Jew?

Contemporary Perceptions of Pharisees in Germany
College Student Voices

This article argues that Simon the Pharisee would have been viewed as an explicitly Jewish character by sixteenth-century viewers.

The Crucified Christ

College Student Voices

This seven-foot-tall Christ would have been suspended above an altar or screen, the juxtaposition of his damaged body and calm, downward gaze reminding those below him of both his humanity and his divinity. 

Material Devotion

College Student Voices

Devotional representations of Saint Barbara, a Christian martyr whose legend extended across both Western and Eastern medieval worlds, flourished in fourteenth-century Europe. An examination of the Providence Saint Barbara reveals a sculptural tradition with a complex and colorful practices of medieval devotion to the cult of saints.

Eighty Years Later, Nancy Elizabeth Prophet at Spelman

Wish you were here . . .

College Studio Notes

In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.

Framing Art and the Art of the Frame

Conservation

Understanding historic frames and how to care for them can be a complicated matter.

Fragments

College Student Voices

Artist Anya Ventura explains the context behind an audio tour and printed guide that she and Anther Kiley created illustrating episodes from the lives of seven objects from the Museum's galleries. Their 2012 work "Fragments" was one of the winning projects in the RISD Museum's annual *Sitings* competition for site-specific installations by RISD degree candidates.

Intern Office Hours: Alex Goodhouse on Confetti Cannons and Anchor Pins

College Student Voices

RISD Museum summer intern Alex Goodhouse talks about Locally Made, Design the Night, anchor buttons, and confetti cannons.

From Galleries to Wards: A Reflection

Clinical Arts College

As a part of its new Clinical Arts and Humanities Program, the Alpert Medical School partnered with the RISD Museum to create the workshop series "From Galleries to Wards." Workshop participants, Samuel Kase and Cia Mathew, reflect on their experience.

A brown skinned man with long hair, wearing a headdress, a beaded medallion, and carrying a short wooden staff stands in a dark landscape, looking into the distance.

Kunneepaumwuw ut Nahhiggananēuck aukéashut

You are standing on Narragansett lands.

The man in this painting lived in the same era and region as some of colonists seen in this gallery.

  • Talks and Conversations

Outside Normativity - Queer Aesthetics in Art, Design + Fashion

Panel Discussion
Saturday, January 10 / 3-4:30 pm
  • Other events

Motherlode x Relax-o-Rama

Sound Bath Meditation - FULL TO CAPACITY
Thursday, December 4 / 6:30-7:30 pm
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Intimate Spaces

Gallery Exploration
Thursday, November 20 / 5-7:30 pm
  • Talks and Conversations

Six Characters in Search of a Curator

Bernstingle Memorial Lecture
Tuesday, November 18 / 1-2 pm
  • Performances and Screenings

Ballads And Crankies For This Upside-Down World

Performance
Saturday, November 15 / 6:30-7:30 pm

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