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showing 21 search result out of 984

Wood in the Middle Ages

College Student Voices

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

THE MAGICAL M(A)US(OL)EUM OF MINNIE N TURNER

College Student Voices

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

RISD Museum Social Equity & Inclusion Work Plan

The RISD Museum is committed to working deliberately, consistently, and compassionately to confront injustice in its many forms. We expect to be challenged and changed by where this collective and responsive work takes us.

Extraordinary Ordinary

A Pedagogical Model
College Educators Faculty Teaching

Faculty member Rosa Weinberg reflects on the relevancy of art analysis as a starting point for exploring form in design and as a powerful habit of mind for beginning designers.

Structure/Skin

A Pedagogical Model
College Educators Faculty Teaching
Students in Carol Lasch's Spatial Dynamics course draw inspiration from the collection.
Testing projected graphics for Arlene Shechet: Meissen Recast in the RISD Museum Graphic Design Office

In Production

Graphic designers share their work
Portfolio

As the RISD Museum hosts the final stop on the tour of Graphic Design: Now in Production, an exhibition that began at the Walker in 2011, we're starting a series that updates the show by checking in with some of the designers featured in it, to see the work they have been doing since 2010.

Tanks, but No Tanks: Gravel and the Museum

College Student Voices

During my summer internship, I saw hundreds of fabulous garments, shoes, and accessories arrive for the Spring 2016 exhibition on fashion designer Todd Oldham.

"She's a fighter"

Staring back at Morisot

A school programs educator describes student encounters with Edouard Manet's Repose.

Gallery Guide / Kudzanai Chiurai: Iyeza

Curator

Full tgallery guide from the exhibition Kudzanai Chiurai: Iyeza

Stitching Together

A Pedagogical Model
College Faculty Teaching Student Voices

Students in Mariela Yeregui's Decolonial E-Textiles class create radical, critical, situated, and anticolonial projects that combine textile techniques with simple and low-tech electronic mechanisms.

The Studio Visited and Re-visited

Considering artists' production in Rhode Island
Curator Studio Notes

In this series, RISD Museum curator Dominic Molon considers the importance and setting of the studio, and calls on Rhode Island artists.

Raid the Database 2 with Nafis White

College Artist

Artist Nafis White on her project Raid the Database 2

Raid the Database 2 with Nafis White

Curator

Curatorial assistant of contemporary art A. Will Brown on "Raid the Database 2 with Nafis White"

New Ways to Paint

A Boating Party
Curator How To

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Fabric embrodery

From Flax To Finish

College How To Student Voices

Embroidery samplers are inextricably linked to an image of colonial America: farmhouses waved sheets of linen like flags of surrender, with fields of flax extending beyond, as far as the eye could

The Flower, the Labor, and the Sea

Bhasha Chakrabarti  

b. 1991; from Honolulu, Hawaii; works in New Haven, Connecticut

Ashdeen, design studio

Painted wall mural of Barack Obama and Nelson Mandela along city street with several people walking in front.

Interview with artist Steffani Jemison

Curator Studio Notes Artist

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

The Election Gloves

Studio Notes Artist

Exploring the process and context behind "The Election Gloves", a work created by Cranston artist Jessica Deane Rosner.

Participation through Voting

Jordan Seaberry and Jacob Lawrence on Why It Matters
Educators Student Voices

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

Master Craft

Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

Realistic marble bust depicting a stoic woman whose clothes contrast with the smooth white marble of the bust, the outermost layer being textured black and gray stone, and the innermost tan and striped.

Peregrinations of a Portrait and the Legacy of Agrippina the Younger

College Student Voices

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

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