Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.

Exploring the process and context behind the series "Self Portrait as . . .", works created by Newport artist Sue McNally.

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.