Insights into Ingres's studio practice and clues to his intellectual process

A summer intern meditates on the medium of murals and how they appear on RISD’s walls, using Photoshop to understand what is lost when seeing incomplete works out of context.

We were inspired by the Paracas mantle because it has become fragments that are dispersed all around the world without c

A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

In December of 2016 the RISD Museum needed to deinstall its European Galleries in order to renovate them.

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.

What are the essential questions museums need to ask themselves to understand the future of art?

Exploring the process and context behind the series "Self Portrait as . . .", works created by Newport artist Sue McNally.

Composer Shawn Greenlee's experimental sound work Substitutions is inspired by the Chinese lithophone in the RISD Museum's Asian art collection

Curatorial intern Grace Xiao reflects on viewing artwork that embraces instability, disruption, and restlessness, making room for open interpretations in the gallery.

Artist Jane Ogden (British, ca. 1845–1928) painted flowers and other still-life subjects in oil and watercolor.