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showing 24 search result out of 140

Marsden Hartley's Gorges du Loup, Provence

Curator

Over the course of his artistic life, Marsden Hartley sought unmediated

Arlene Shechet Interviewed by Judith Tannenbaum

Curator Studio Notes Artist

Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.

The Head in Focus

Benin Art and Visual History
How did this get here?

The discovery of these treasures resembles that of a valuable manuscript. They are a new “Codex Africanus,” not written on fragile papyrus, but in ivory and imperishable brass.

American Drawings and Watercolors

Albert Bierstadt's Landscape on the Rhine
Curator Drawing

Albert Bierstadt was born in Solingen, Germany, but came to the United States with his family in 1832 and settled with them in New Bedford, Massachusetts.

A watercolor drawing of bluebells and white primroses surrounded by lush green leaves and grasses. In the front left of the image there is a nest full of blue eggs.

Brief Biography of Jane Ogden

Drawing

Artist Jane Ogden (British, ca. 1845–1928) painted flowers and other still-life subjects in oil and watercolor.

A grid of twelve pixelated rectangles

Seeing the History of Colonialism Through Resorts

College Student Voices

Artist and student Jade Cannata creates a chart describing the racial demographics of three all-inclusive resorts in locations with strong historical connections to colonialism, showing the effects of history on the present

An ornate silver desk with a matching chair, both adorned with intricate floral inlay and curved legs. The desk features drawers and a central mirror framed in elaborate silverwork.

The Long Road Home

The Gorham Writing Table and Chair
Curator

After a half-century's journey, Gorham's magnificent writing table and chair made for the 1904 St. Louis World's Fair returned home to Providence.

Inuit Printmaking and the Concept of Purity

College Student Voices

This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians' expectations of Inuit art.

A gilded face with blue-outlined eyes on a coffin lid, framed by a blue black headdress with golden details and a red, green, and blue painted collar.

Serpentipity

Ancient Egyptian Funeral Planning Today
College Student Voices

How do you lay an Egyptian mummy to rest in a museum? Our curator considered a number of factors in orienting Nesmin, RISD's Egyptian mummy, in his new case in the freshly renovated gallery, but found a strange coincidence in her final decision.

Christ in the House of Simon the Jew?

Contemporary Perceptions of Pharisees in Germany
College Student Voices

This article argues that Simon the Pharisee would have been viewed as an explicitly Jewish character by sixteenth-century viewers.

Wish you were here . . .

College Studio Notes

In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.

A pair of masqueraders honors the spirits of departed twins, 1986.

Egúngún

Mysteries Concealed in Magical Cloth
Curator

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

Under the Big Top

John Steuart Curry's Vision of the Circus
Curator

John Steuart Curry's images of the circus provide us with an insider's look at the Ringling Bros. and Barnum & Bailey Circus in the 1930s.

A pale green, smooth jade carving resembling mountain peaks dotted with clustered tree and a small waterfall in the center.

Mountain and Water 山水

Selections from Japan and China
May 10 - December 14, 2025
  • Talks and Conversations

Transpacific Dialogues–Asian/American Art of Collaboration

Symposium - DAY 2
October 25, 2024 / 1-4:45 pm
  • Talks and Conversations

Transpacific Dialogues–Asian/American Art of Collaboration

Symposium - DAY 1
October 24, 2024 / 2-5 pm
Digital line drawing of a building exterior with double doors flanked by two windows on each side. The two innermost windows have colorful brick panel renderings superimposed onto the line drawing.

Bricked Over Windows

Dorner Prize
March 22 - June 2, 2024
  • Performances and Screenings

Plastic Shaman

Performance
December 1, 2023 / 12-12:45 pm
  • Performances and Screenings

Open Rehearsal

Abilities Dance Boston
October 1, 2022 / 2-3 pm
  • Workshops and studios /
  • Hands-on Art /
  • Musical Performance

Disrupt and Draw with Music

February 27, 2022 / 2-4 pm
  • Talks and Conversations /
  • Performances and Screenings

Assembly

Poetry Reading
January 3, 2021 / 7-8 pm
  • Musical Performance /
  • Performances and Screenings

Community MusicWorks Sonata Series

December 19, 2019 / 7-8 pm
  • Talks and Conversations

Faculty Forum

Kai Franz
November 6, 2019 / 12-1 pm
  • Talks and Conversations

Gallery Conversation

Head of a King (Oba)
March 6, 2019 / 12-1 pm

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