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Teaching Notes / Artists' Ideas, Materials, and Process

silver polishing with cotton
  • Article

Tracing the Silver Seaweed

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Made in the UK

Contemporary Art from the Richard Brown Baker Collection
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Cocktail Culture

Ritual and Invention in American Fashion 1920 - 1980
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Courtly Arts of the Later Islamic Empires
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Gorham Silver. Selections from the Gift of Textron Inc.

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A Handbook of the Museum of Art, Rhode Island School of Design

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Selection III

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The Pendleton Collection

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PROCESS

How was the object made? What materials and methods brought it to life? 

Maces and Chains

The Ritual and Regalia of Commencement
College Student Voices

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

Gorham Silver: A Responsive Approach to Interpretation

Sustainability and the natural world

The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.

On Full Display

Acts of Curation and Censorship
Student Voices

How are museum collections constructed? Producer Emma Vecchione searches for an answer in examining the police raid of a 1978 art exhibition, a collection of pictures at the RISD Museum, and the family photographs on top of her mother’s television set.

Photographing David Greene's LogPlug and other drawings

Portfolio

2013-11-01_14.13.11

Lot 022405

Curator

Curatorial Assistant A. Will Brown on Donald Moffett's Lot 022405.

All That Glitters

Recent Research into Golden Garments
Conservation

For conservators, fabrics incorporating metallic components raise complex questions about construction, materials, and manufacturing techniques, all of which impact how an object will be stabilized and displayed

Alt Text and Accessibility

Describing the Act of Looking
College Faculty Teaching Student Voices

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."

A copper-colored chair with an angular and open frame, with a symmetrical geometric pattern on the seat and backrest.

Objects by Architects

College Student Voices

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

Excavation to Exhibition: The Afterlife of Ancient Objects

College From the files Student Voices

An intern explores the history of works from the museum’s ancient collection, tracing the archaeological excavations that brought them to light and into the permanent collection.

Artist in their studio

(Re)tracing the Silver Seaweed: A Maker's Process

College How To Student Voices Studio Notes Sustainability and the natural world Artist

This salad spoon and fork set, made by the Gorham Manufacturing Company ca. 1885, is named after the coastal town of Narragansett, Rhode Island. Replete with intricately detailed shells, seaweed, and sea creatures—including small fish and tiny crabs—these two sea-encrusted utensils were my point of inspiration for a set of five brooches. In the following article I will describe some of the basic processes used to create my Narragansett-inspired jewelry

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