In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.

Richard Merkin was for decades the go-to authority for all things dandyish. As we see in the ephemera from his life and his tailored clothing on view in the exhibition "Artist/Rebel/Dandy", his personality and fashion sense live on at RISD.

The future is an abstract concept, hard to decode and difficult to predict. A summer intern reflects on fashion and future in this creative writing piece.

A summer intern conspires with a toothy collage in the museum’s collection.

This late fifteenth-century Virgin and Child was created with subtlety, flexibility, and portability in mind. These features were central to its medieval use—and its use at the RISD Museum.

Website that uses the weather to make programmatic selections from the RISD Museum based on conditions, first in Providence, then in a city of the user’s choosing. The goal was to give museum-goers a tangible point of access to art, and to make unexpected groupings of objects.

Recorded on 05.03.19.

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from aro

In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

It's impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.

John Steuart Curry's images of the circus provide us with an insider's look at the Ringling Bros. and Barnum & Bailey Circus in the 1930s.

Understanding historic frames and how to care for them can be a complicated matter.

RISD Museum summer intern Alex Goodhouse talks about Locally Made, Design the Night, anchor buttons, and confetti cannons.

This past summer, with a focus on design thinking, the students were asked What is useful? as a starting point for their group design.

Designing furniture for the installation "School House Long House" in the exhibition "Locally Made", designer Simcha Davis looked to Shaker craftsmanship to match the spirit of the space. Download her design.

As a part of its new Clinical Arts and Humanities Program, the Alpert Medical School partnered with the RISD Museum to create the workshop series "From Galleries to Wards." Workshop participants, Samuel Kase and Cia Mathew, reflect on their experience.

This fall the RISD Museum Lucy Truman Aldrich Porcelain Gallery reopened with its cabinets filled with engaging figures and a diverse array of tableware. Comprising nearly 180 objects from the museum's collection, this new installation focuses on the role that porcelain played in eighteenth-century life.

The man in this painting lived in the same era and region as some of colonists seen in this gallery.

An eclectic mix of North African, Moorish, Middle Eastern, and Japanese aesthetics, this desk and table are the original creations of Italian designer Carlo Bugatti.

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

RISD Museum intern Alicia Valencia (RISD 2015, Furniture) explains how the act of looking closely formed her impressions on Samuel Gragg's Elastic armchair.

In the flood of digital-ness that comprises our daily experience, it can be easy to forget that most of what all of our complex devices are doing is simply counting. It's no coincidence that the word digital comes from digits, our fingers, that most elementary of counting machines.