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Copying an Old Master Drawing

College How To Artist

Luca Cambiaso used iron gall ink and a quill pen to create this drawing in about 1570. RISD professor Andrew Raftery walks us through the making of iron gall ink and a quill pen, and explains how he copied Cambiaso's drawing.

A portrait of a blond-haired, dark-eyed, rosy-cheeked child in a voluminous blue bonnet and top painted with soft, loose brush strokes and unfinished areas revealing the tan canvas beneath.

New Ways to Paint

Simone in a Blue Bonnet
Curator How To

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Collaboration and the Late-Medieval Book

Curator

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

How Do We Imagine the Future?

College Student Voices

The future is an abstract concept, hard to decode and difficult to predict. A summer intern reflects on fashion and future in this creative writing piece.

Head of Christ or a Saint

College Student Voices

A colossal Romanesque head in the RISD collection has yet to be securely identified, but the sheen of his nose suggests that it was rubbed by many penitent hands during the course of this sculpture’s life.

Painting of a misty riverbank reflecting lush trees and a cloudy sky, all painted with soft, small brushstrokes blending blues, greens, pinks, and purples.

Museum Weather Website

Objects illustrate weather conditions
College Happenings Student Voices Artist

Website that uses the weather to make programmatic selections from the RISD Museum based on conditions, first in Providence, then in a city of the user’s choosing. The goal was to give museum-goers a tangible point of access to art, and to make unexpected groupings of objects.

Butterfly Hymnals That Won’t Disturb the Pleasant

Complacency, And Other Lullabies
College Student Voices

Writings based on a series of vernacular photos

Egungun Atipako—with hand-woven aso ofi textiles. Ibadan, Nigeria. Photo: Bolaji Campbell, 2007

Cloth as Metaphor in Egungun Costumes

Curator

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from aro

Decoding the Hallstatt Diadem

College Student Voices

It's impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.

Under the Big Top

John Steuart Curry's Vision of the Circus
Curator

John Steuart Curry's images of the circus provide us with an insider's look at the Ringling Bros. and Barnum & Bailey Circus in the 1930s.

Framing Art and the Art of the Frame

Conservation

Understanding historic frames and how to care for them can be a complicated matter.

Intern Office Hours: Alex Goodhouse on Confetti Cannons and Anchor Pins

College Student Voices

RISD Museum summer intern Alex Goodhouse talks about Locally Made, Design the Night, anchor buttons, and confetti cannons.

I Can Taste It Now: Savoring the New Installation in the Porcelain Gallery

Curator

This fall the RISD Museum Lucy Truman Aldrich Porcelain Gallery reopened with its cabinets filled with engaging figures and a diverse array of tableware. Comprising nearly 180 objects from the museum's collection, this new installation focuses on the role that porcelain played in eighteenth-century life.

Dark green slab which slopes sharply down to the right, with a dark circle at the top. Features intricate golden embellishments depicting Chinese characters surrounded by dragons above clouds.

Jade Lithophone with Dragon Decoration

College Student Voices

A jade lithophone from 18th-century China offers insight to the significant role of ritual music in ancient China—as an essential part of state rite to assert the legitimacy of reign.

Double-And-Add

College Portfolio Student Voices

In the flood of digital-ness that comprises our daily experience, it can be easy to forget that most of what all of our complex devices are doing is simply counting. It's no coincidence that the word digital comes from digits, our fingers, that most elementary of counting machines.

Painting with large, energetically painted swathes of earthy red, whites, and yellows which both bleed into each other and form defined shapes. Large white splatters feature prominently in the center.

Out of the Emergency Department into the RISD Museum

Clinical Arts College

How a project designed to enhance pain management was born and made possible by the collaboration between RISD Museum and the Brown Emergency Medicine Residency.

Mummy's Boy

College Student Voices

Over the last 2,000 years, Nesmin has been a priest, a mummy, and a museum exhibit. RISD Museum intern Jonathan Migliori discusses Nesmin's influence in his life.

Tags

Twill, Tape or Hang
College Student Voices

A summer intern creates an article of clothing inspired by the meticulous logistics of collections care.

Intern looking at artwork

Memories, Nostalgia, and Moving Forward

Studio Notes Teens

The RISD Museum was an essential part of my childhood.

The Studio Visited and Re-visited

Considering artists' production in Rhode Island
Curator Studio Notes

In this series, RISD Museum curator Dominic Molon considers the importance and setting of the studio, and calls on Rhode Island artists.

An earthy-toned, riverside scene of a figure in a white dress stepping into a red canoe as others lounge in nearby canoes, with surrounding impressionist-style trees and a distant building.

New Ways to Paint

A Boating Party
Curator How To

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Understanding Art Through Thumbnail Sketching

How To Studio Notes

Drawing in a museum is a way of slowing down and experiencing artwork on a nonverbal level.

A side view of the same sculpture but against a white background.

Still Life

Student Voices

As a curatorial intern for the Contemporary Art Department at the RISD Museum during the summer of 2016, I was introduced to the in-depth experience of museum work.

Fragments

College Student Voices

Artist Anya Ventura explains the context behind an audio tour and printed guide that she and Anther Kiley created illustrating episodes from the lives of seven objects from the Museum's galleries. Their 2012 work "Fragments" was one of the winning projects in the RISD Museum's annual *Sitings* competition for site-specific installations by RISD degree candidates.

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