In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.
RISD student Joanna Cortez shares how the RISD Museum served the Providence community during World War II. Joanna participated in the Museum's Andrew W. Mellon Summer Internship Program this summer.
In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.
This salad spoon and fork set, made by the Gorham Manufacturing Company ca. 1885, is named after the coastal town of Narragansett, Rhode Island. Replete with intricately detailed shells, seaweed, and sea creatures—including small fish and tiny crabs—these two sea-encrusted utensils were my point of inspiration for a set of five brooches. In the following article I will describe some of the basic processes used to create my Narragansett-inspired jewelry
Designing furniture for the installation "School House Long House" in the exhibition "Locally Made", designer Simcha Davis looked to Shaker craftsmanship to match the spirit of the space. Download her design.
This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).
RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.
An eclectic mix of North African, Moorish, Middle Eastern, and Japanese aesthetics, this desk and table are the original creations of Italian designer Carlo Bugatti.
Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.
The woman in Frank W. Benson's Lady Trying on a Hat has always been a character who caught my eye during visits to the Museum. From her averted gaze to the contrast between her white dress and the black hat, she is poised to play the lead role on the stage that Benson created.
Inspired by Joachim Antonisz Wtewael's "The Marriage of Peleus and Thetis," Josephine Devanbu (RISD/Brown 2015) uses the painting's shapes and density in her newest work.
LeWitt likened his instructions to musical scores, which are realized in a new way every time they're played, and it's possible for LeWitt's wall drawings to take slightly different forms, depending on how his directions are implemented.
Dubbed a travel coat by artist and designer Christina Kim, this is a garment made for journeys long and far, both real and imagined, for traversing territories in the mind as much as in the physical world.
The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.
Architect James Stanton-Abbott explains his process for creating a computer-rendered reconstruction of a room in an ancient Roman villa near Pompeii, using images of wall-painting fragments in the RISD Museum and the MFA, Boston.