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showing 24 search result out of 227

How Do We Imagine the Future?

College Student Voices

The future is an abstract concept, hard to decode and difficult to predict. A summer intern reflects on fashion and future in this creative writing piece.

Rabbit Holes

College Student Voices

A summer intern conspires with a toothy collage in the museum’s collection.

Side view of full-body sculptural garment in earthy tones engulfing the upper body in dense glove or finger-like forms with a sweater sleeve hanging out and legs clad in patchwork.

Learning to Look Without Judgment

Educators Artist

Educator MJ Robinson reflects on student reactions to their gender presentation and shares a lesson plan inspired by artist Nick Cave’s Soundsuits to help elementary-aged students identify and challenge gender-based stereotypes.

Head of Christ or a Saint

College Student Voices

A colossal Romanesque head in the RISD collection has yet to be securely identified, but the sheen of his nose suggests that it was rubbed by many penitent hands during the course of this sculpture’s life.

The Dramatic Effects of Subtlety

A Fifteenth-Century Virgin and Child
College Student Voices

This late fifteenth-century Virgin and Child was created with subtlety, flexibility, and portability in mind. These features were central to its medieval use—and its use at the RISD Museum.

Christ in the House of Simon the Jew?

Contemporary Perceptions of Pharisees in Germany
College Student Voices

This article argues that Simon the Pharisee would have been viewed as an explicitly Jewish character by sixteenth-century viewers.

The Crucified Christ

College Student Voices

This seven-foot-tall Christ would have been suspended above an altar or screen, the juxtaposition of his damaged body and calm, downward gaze reminding those below him of both his humanity and his divinity. 

Material Devotion

College Student Voices

Devotional representations of Saint Barbara, a Christian martyr whose legend extended across both Western and Eastern medieval worlds, flourished in fourteenth-century Europe. An examination of the Providence Saint Barbara reveals a sculptural tradition with a complex and colorful practices of medieval devotion to the cult of saints.

Eighty Years Later, Nancy Elizabeth Prophet at Spelman

Two people looking at a painting of a palm tree

Look at Art. Get Paid.

Happenings Artist

Forty-one people who don’t visit art museums visit the RISD Museum as paid guest critics of the art and institution.

Painting of a misty riverbank reflecting lush trees and a cloudy sky, all painted with soft, small brushstrokes blending blues, greens, pinks, and purples.

Museum Weather Website

Objects illustrate weather conditions
College Happenings Student Voices Artist

Website that uses the weather to make programmatic selections from the RISD Museum based on conditions, first in Providence, then in a city of the user’s choosing. The goal was to give museum-goers a tangible point of access to art, and to make unexpected groupings of objects.

Aphrodite

Bacchante

Poseidon

Thetis

Eros

Ares

 

Butterfly Hymnals That Won’t Disturb the Pleasant

Complacency, And Other Lullabies
College Student Voices

Writings based on a series of vernacular photos

Egungun Atipako—with hand-woven aso ofi textiles. Ibadan, Nigeria. Photo: Bolaji Campbell, 2007

Cloth as Metaphor in Egungun Costumes

Curator

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from aro

Wish you were here . . .

College Studio Notes

In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.

A pair of masqueraders honors the spirits of departed twins, 1986.

Egúngún

Mysteries Concealed in Magical Cloth
Curator

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

Decoding the Hallstatt Diadem

College Student Voices

It's impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.

Under the Big Top

John Steuart Curry's Vision of the Circus
Curator

John Steuart Curry's images of the circus provide us with an insider's look at the Ringling Bros. and Barnum & Bailey Circus in the 1930s.

Private Investigation, Art-History Style

College

Intern Margaret North finds that every successful treasure hunt has a moment of shining glory.

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