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showing 22 search result out of 22

A cream colored sculptural figure holding a tray, dressed in historical clothing with tightly curled hair.

Trading Earth

Ceramics, Commodities, and Commerce
April 9, 2022 - August 3, 2025

Changing Poses

The Artist's Model
November 12, 2010 - June 6, 2011

Term Limits

Textiles in Contemporary Art
November 8, 2005 - February 5, 2006

From the Reserve IV

Nineteenth-Century American Painting
July 22 - October 2, 1994

Romanticism and Revival

Nineteenth-Century American Art from the Permanent Collection
December 4, 1992 - June 26, 1993

American Painting and Sculpture from the Permanent Collection

June 26, 1987 - January 3, 1988

Selection VII

American Paintings from the Museum's Collection, ca. 1800-1930
March 31 - May 8, 1977

Days Gone By

July 1 - September 26, 1971

New Acquisitions 1967-1968.

January 1, 1967 - January 1, 1968
  • Digital Publication

Trading Earth

Ceramics, Commodities, and Commerce
  • Digital Publication

Soundwalk

Trading Earth
Artist in their studio
  • Article

(Re)tracing the Silver Seaweed

A Maker's Process
  • Books

Selection VII

American Painting from the Museum's Collection, c.1800-1930

Reading List

PROCESS

How was the object made? What materials and methods brought it to life? 

Gorham Silver: A Responsive Approach to Interpretation

Sustainability and the natural world

The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.

Looking (Seeing)

College Student Voices Studio Notes

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

American Drawings and Watercolors

Eastman Johnson's Child in Bed
Curator Drawing

Eastman Johnson was raised in Maine in a family of eight children, and

Artist in their studio

(Re)tracing the Silver Seaweed: A Maker's Process

College How To Student Voices Studio Notes Sustainability and the natural world Artist

This salad spoon and fork set, made by the Gorham Manufacturing Company ca. 1885, is named after the coastal town of Narragansett, Rhode Island. Replete with intricately detailed shells, seaweed, and sea creatures—including small fish and tiny crabs—these two sea-encrusted utensils were my point of inspiration for a set of five brooches. In the following article I will describe some of the basic processes used to create my Narragansett-inspired jewelry

When Then Is Now

Martin Boyce's Connections to the RISD Museum Collection
Curator

An exploration of the intriguing relationships between works in Martin Boyce's mid-career survey exhibition at the RISD Museum and objects by Alexander Calder, Charles and Ray Eames, and Dan Flavin in the museum's collection.

  • Talks and Conversations /
  • Work in Process

Work in Process

November 20, 2014 / 5:30-8 pm

Artistic Research and Collaboration

We provide spaces and opportunities for the intersection of artistic practice and research. Such creative investigations might take the form of collaborative and open-ended forms of exploration and inquiry that lead to new work and insights.

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