How does Liliana Porter use objects as playful characters in her prints? How can we create scenes using our own special objects and tell stories about them?

Many museums today struggle with confronting their problematic legacies and transforming their current practices to become the diverse, inclusive institutions they aspire to be.

How did Japanese printmakers and poets of the 19th century express feelings and symbolic meanings through artworks depicting nature?

Aaron Douglas was inspired by ancient and contemporary architecture, visual art and poetry. By exploring his painting and finding connections to poetry, what can we learn about how artists use different artistic styles and art forms to represent the many kinds of work it takes to build societies, both in the past and today?

What can we learn about life in ancient Egypt by examining protective symbols on the coffin of a priest named Nesmin?

How do Lynda Benglis and Shari Mendelson communicate ideas and messages through their sculptures’ forms and materials?

Why is contemporary English artist Paul Scott interested in a ceramic technique and imagery from the 1700-1800s? How does he work with transferware to comment on environmental issues and systemic racism in the United States?

How does a landscape painting made in 1828 by English-American artist Thomas Cole both reinforce and intervene in settler-colonial ideas about the environment and Native American people?

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.