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The Care and Preservation of Art Composed of Plastic

Conservation Sustainability and the natural world

RISD Museum conservator Ingrid Neuman discusses the challenges in caring for objects made from this ubiquitous material

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

A black, curved abstract shape lies at the center of a piece of wrinkled tissue paper. Zig-zagging lines of thread intersect over and beyond the shape.

The Rejection of Closure

College Student Voices

Curatorial intern Grace Xiao reflects on viewing artwork that embraces instability, disruption, and restlessness, making room for open interpretations in the gallery.

At the Circus with RISD Graphic Design Students

College Educators Faculty Teaching Studio Notes

Professor Jan Baker encouraged her letterpress class to become inspired by the Circus exhibition at the RISD Museum.

When Then Is Now

Martin Boyce's Connections to the RISD Museum Collection
Curator

An exploration of the intriguing relationships between works in Martin Boyce's mid-career survey exhibition at the RISD Museum and objects by Alexander Calder, Charles and Ray Eames, and Dan Flavin in the museum's collection.

The Studio Visited and Re-visited

Considering artists' production in Rhode Island
Curator Studio Notes

In this series, RISD Museum curator Dominic Molon considers the importance and setting of the studio, and calls on Rhode Island artists.

Boots 2009.92.213

"Two Boots" and Four Portraits

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

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