The RISD Museum collection application program interface (API) lays out how our website’s search function operates, aiding discovery of the museum’s collection and allowing collection data to be used in innovative ways.

How are museum collections constructed? Producer Emma Vecchione searches for an answer in examining the police raid of a 1978 art exhibition, a collection of pictures at the RISD Museum, and the family photographs on top of her mother’s television set.

This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

A jade lithophone from 18th-century China offers insight to the significant role of ritual music in ancient China—as an essential part of state rite to assert the legitimacy of reign.

Collaborative reflections on the making and meaning of absences and erasures.

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

Exploring the process and context behind "The Election Gloves", a work created by Cranston artist Jessica Deane Rosner.

Exploring the process and context behind "Geku", a work created by Pawtucket artist Brian Shure.

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

Inventories have been occurring almost since the beginning of museum practice, but they have changed entirely from their original form.

A new Chrome Extension brings the voices of first-time visitors into conversation with the RISD Museum’s voice.

Pixilation Party!, or how, with the help of dozens of RISD Museum visitors, Providence artist Xander Marro recently created one minute of black and white magic.

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."

A summer intern’s reinterpretation of a 1600s still life painting as lived ritual and faith in the present

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

Editor of publications Amy Pickworth, intern Joanna Cortez, and curatorial assistant of contemporary art A. Will Brown interview UuDam Tran Nguyen about his single channel video Waltz of The Machine Equestrians--The Machine Equestrians (2012).

Plowing on Sunday, from about 1934

Exploring the process and context behind "Open House: Five Engraved Scenes", a work created by Providence artist and RISD faculty Andrew Raftery.

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

Community MusicWorks commissioned composer and vocalist Ken Ueno to write Four Contemplations for the restoration and rededication of RISD Museum's Dainichi Buddha.

Nancy Prophet fellow Amber Lopez interviews artist Ariel Jackson her video *The Origin of the Blues*