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showing 23 search result out of 1540

  • Books

Selected Works

  • Books

Chazans' Choice

Gifts of Contemporary Art to The RISD Museum
  • Books

Island Nations

New Art From Cuba, the Dominican Republic, Puerto Rico and the Diaspora
  • Journal

Historic Wallpapers

1750-1949
  • Books

Interior Drama

Aaron Siskind's Photographs of the 1940's
  • Books

Object of Ornament

European Design
  • Journal

Rethinking the Romans

New Views of Ancient Sculpture
  • Journal

Glimpses of Grandeur

Courtly Arts of the Later Islamic Empires
  • Books

Gifts of the Nile, Ancient Egyptian Faience

  • Books

Through the Collector's Eye

  • Books

A World of Costume and Textiles

A Handbook of the Collection
  • Books

Whistler to Weidenaar

American Prints 1870-1950
  • Books

American Furniture In Pendleton House

  • Books

Old Master Drawings from the Museum of Art, Rhode Island School of Design

  • Books

How Pleasant to Know Mr. Lear

Watercolors by Edward Lear from Rhode Island Collections
  • Books

Selection VII

American Painting from the Museum's Collection, c.1800-1930
  • Books

Selection III

Contemporary Graphics
  • Books

Selection II

British Watercolors and Drawings from the Museum's Collection

Adventures in Photomechanical Printmaking

College Student Voices Studio Notes

An intern's hands-on exploration of antique photomechanical processes in the 21st century

Reading List

How Did This Get Here?
How did this get here?

These resources provide additional context for dialogue and conversation around the case studies featured in this section and other ongoing work at the museum.

Transcending Time and Dimensions

Daniel Marot's Pendulum Clock in 3D
College Student Voices

A digital reinterpretation to Daniel Marot's clock print, merging old and new, exploring time's essence through evolving dimensions

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Twill, Tape or Hang
College Student Voices

A summer intern creates an article of clothing inspired by the meticulous logistics of collections care.

Anchors and Attractors

College Student Voices

A study of the elements that pull and push a visitor through the museum’s 3rd and 4th floor spaces

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