Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

As the RISD Museum hosts the final stop on the tour of Graphic Design: Now in Production, an exhibition that began at the Walker in 2011, we're starting a series that updates the show by checking in with some of the designers featured in it, to see the work they have been doing since 2010.

How a project designed to enhance pain management was born and made possible by the collaboration between RISD Museum and the Brown Emergency Medicine Residency.

Embroidery samplers are inextricably linked to an image of colonial America: farmhouses waved sheets of linen like flags of surrender, with fields of flax extending beyond, as far as the eye could

In this series, RISD Museum curator Dominic Molon considers the importance and setting of the studio, and calls on Rhode Island artists.

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

RISD Museum intern Alicia Valencia (RISD 2015, Furniture) explains how the act of looking closely formed her impressions on Samuel Gragg's Elastic armchair.

Bhasha Chakrabarti  

b. 1991; from Honolulu, Hawaii; works in New Haven, Connecticut

Ashdeen, design studio

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

Exploring the process and context behind "The Election Gloves", a work created by Cranston artist Jessica Deane Rosner.

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

Exploring the process and context behind "Cold Moon X", a work created by Jamestown artist Georgia Marsh.

Exploring the process and context behind "I'm the Sweetest Teddy Bear", a work created by North Scituate artist Entang Wiharso.

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

For many of us, a line is the first mark we make. It is a huge developmental milestone when a young child's first scribbles are set to the page (or wall!).

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

I begin with the assertion that textiles are agents-deemed-objects.

Pixilation Party!, or how, with the help of dozens of RISD Museum visitors, Providence artist Xander Marro recently created one minute of black and white magic.

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

This piece is in conversation with the Gee’s Bend quilt