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showing 24 search result out of 89

Extraordinary Ordinary

A Pedagogical Model
College Educators Faculty Teaching

Faculty member Rosa Weinberg reflects on the relevancy of art analysis as a starting point for exploring form in design and as a powerful habit of mind for beginning designers.

On Full Display

Acts of Curation and Censorship
Student Voices

How are museum collections constructed? Producer Emma Vecchione searches for an answer in examining the police raid of a 1978 art exhibition, a collection of pictures at the RISD Museum, and the family photographs on top of her mother’s television set.

Lobsters and Snowshoes

The Hayes Presidential Service
Curator

A chance meeting between the wife of President Rutherford B. Hayes and Theodore Davis, an illustrator and journalist for "Harper's Weekly", in the White House conservatory produced one of the most extraordinary dinner services.

Butterfly Hymnals That Won’t Disturb the Pleasant

Complacency, And Other Lullabies
College Student Voices

Writings based on a series of vernacular photos

Downloading Design

College Student Voices Studio Notes

Designing furniture for the installation "School House Long House" in the exhibition "Locally Made", designer Simcha Davis looked to Shaker craftsmanship to match the spirit of the space. Download her design.

Drawing from the Collection

College Student Voices

Painting student Davis Lloyd recollects stumbling across an unlikely source of inspiration, and connection between ancient art and contemporary painting.

A Counter Monument FUBU

Performance Documentation
Happenings Artist

In this durational performance, artist Becci Davis attempted to repair the ancestral wounds of American history, through a series of deliberate gestures.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Seeking Visibility

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

American Drawings and Watercolors

William Stanley Haseltine's Amalfi
Curator Drawing

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

A copper-colored chair with an angular and open frame, with a symmetrical geometric pattern on the seat and backrest.

Objects by Architects

College Student Voices

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

Defending the Right to Live: Political Prints in Providence, 1971

College

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

Black Hair Future

Student Voices

A student in a RISD course on pan-African aesthetics, inspired by a photograph in the collection, envisions future possibilities of Black hairstyling.

Children, assisted by adults, gather at a table, drawing and gluing with the array of markers and paper scraps spread across the table within a bright room.
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Martin Luther King Jr. Weekend Celebration

January 18-19, 2025
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Work in Process

Bloodstone and Home
August 6, 2023 / 3-4 pm

Any distance between us

July 17, 2021 - March 13, 2022
  • Talks and Conversations

Decolonizing the Academic Art Museum

Goals and Strategies: Presented by Davis Museum at Wellesley College
April 13, 2021 / 4-5:30 pm
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Third Thursday

Will Work for Revolution
February 21, 2019 / 5-9 pm
  • Talks and Conversations

Artists Talk

Freedom of Speech and Expression
October 25, 2018 / 6:30-8 pm
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A Counter-Monument F.U.B.U.

October 18, 2018 / 10 am-5 pm
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A Counter-Monument F.U.B.U.

October 17, 2018 / 10 am-5 pm
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A Counter-Monument F.U.B.U.

October 11, 2018 / 10 am-5 pm
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A Counter-Monument F.U.B.U.

October 5, 2018 / 10 am-5 pm
  • Performances and Screenings

A Counter-Monument F.U.B.U.

October 3, 2018 / 10 am-5 pm

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