Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

This article provides a brief introduction to this finely carved and dynamic sculpture of the Archangel Gabriel.

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Insights into Ingres's studio practice and clues to his intellectual process

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

Inventories have been occurring almost since the beginning of museum practice, but they have changed entirely from their original form.

A new Chrome Extension brings the voices of first-time visitors into conversation with the RISD Museum’s voice.

A time lapse view of the installation of the RISD Museum's groundbreaking exhibition Artist/Rebel/Dandy: Men of Fashion.

RISD Museum conservator Ingrid Neuman discusses the challenges in caring for objects made from this ubiquitous material

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

We were inspired by the Paracas mantle because it has become fragments that are dispersed all around the world without c

A summer conservation intern’s investigation into the uses of infrared photography in recording Samoan siapo and the significance of new visual information gained.

This piece is in conversation with the Gee’s Bend quilt

Over the course of his artistic life, Marsden Hartley sought unmediated

to sit for a portrait

A summer intern’s reinterpretation of a 1600s still life painting as lived ritual and faith in the present

Many museums today struggle with confronting their problematic legacies and transforming their current practices to become the diverse, inclusive institutions they aspire to be.

A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

In December of 2016 the RISD Museum needed to deinstall its European Galleries in order to renovate them.

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding