A summer intern works with local artists to create an experimental audio project to be experienced in the galleries.

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

For conservators, fabrics incorporating metallic components raise complex questions about construction, materials, and manufacturing techniques, all of which impact how an object will be stabilized and displayed

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

This article provides a brief introduction to this finely carved and dynamic sculpture of the Archangel Gabriel.

Exploring the process and context behind "Geku", a work created by Pawtucket artist Brian Shure.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Insights into Ingres's studio practice and clues to his intellectual process

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."

A summer intern meditates on the medium of murals and how they appear on RISD’s walls, using Photoshop to understand what is lost when seeing incomplete works out of context.

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

The Museum recently acquired *Huevos de Los Angeles*, a collaborative work by two RISD alumni, Adam Silverman and David Wiseman. Here the artists describe how they created "eggs" to rival the most coveted variety.

Over the course of his artistic life, Marsden Hartley sought unmediated

A summer intern’s reinterpretation of a 1600s still life painting as lived ritual and faith in the present

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

Architect James Stanton-Abbott explains his process for creating a computer-rendered reconstruction of a room in an ancient Roman villa near Pompeii, using images of wall-painting fragments in the RISD Museum and the MFA, Boston.

Graphic design students and professionals offer their visions of "Graphic Design Next."

Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.

Examining and documenting four Fayum portraits as part of a larger study directed by the J. Paul Getty Museum

The discovery of these treasures resembles that of a valuable manuscript. They are a new “Codex Africanus,” not written on fragile papyrus, but in ivory and imperishable brass.

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

RISD student Abena Gyampo traces the history of the hypersexualization of black bodies from the early 19th century to contemporary popular culture