An intern's hands-on exploration of antique photomechanical processes in the 21st century

A digital reinterpretation to Daniel Marot's clock print, merging old and new, exploring time's essence through evolving dimensions

A study of the elements that pull and push a visitor through the museum’s 3rd and 4th floor spaces

RISD students in a Printmaking course are creating their own wallpaper designs in a collaborative course.

How was the object made? What materials and methods brought it to life? 

Museum staff and partners have shared our Clinical Arts work at a variety of conferences, symposia, and scholarly publications.

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

The staff of our Costume & Textiles and Prints, Drawings, & Photographs study centers are transitioning their weekly open hours to a virtual format.

This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

A school programs educator describes student encounters with Edouard Manet's Repose.

The RISD Museum was an essential part of my childhood.

The Teen Intensive is an annual two-week program that brings teens together to explore their own creative processes by meeting with artists and museum staff, participating in art-making workshops,

Marking the Museum’s entrance into online publishing, Altered States: Etching in Late 19th-Century Paris combines a scholarly collection of essays with a video glossary of printmaking techniques.

Curatorial assistant of contemporary art A. Will Brown on "Raid the Database 2 with Nafis White"