Exploring the process and context behind "The Election Gloves", a work created by Cranston artist Jessica Deane Rosner.

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

This article provides a brief introduction to this finely carved and dynamic sculpture of the Archangel Gabriel.

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

As part of the RISD Art Circle (RAC), we create opportunities for visitors to learn about objects more deeply and to experience hands-on making.

Exploring the process and context behind "Geku", a work created by Pawtucket artist Brian Shure.

Exploring the process and context behind "Cold Moon X", a work created by Jamestown artist Georgia Marsh.

Exploring the process and context behind "I'm the Sweetest Teddy Bear", a work created by North Scituate artist Entang Wiharso.

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Insights into Ingres's studio practice and clues to his intellectual process

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

Inventories have been occurring almost since the beginning of museum practice, but they have changed entirely from their original form.

For many of us, a line is the first mark we make. It is a huge developmental milestone when a young child's first scribbles are set to the page (or wall!).

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

A new Chrome Extension brings the voices of first-time visitors into conversation with the RISD Museum’s voice.

I begin with the assertion that textiles are agents-deemed-objects.

Inheritance, the headpiece pictured above, and Legacy, the video shown below, are designed to live in the pluriverse.

A time lapse view of the installation of the RISD Museum's groundbreaking exhibition Artist/Rebel/Dandy: Men of Fashion.

RISD Museum conservator Ingrid Neuman discusses the challenges in caring for objects made from this ubiquitous material

Pixilation Party!, or how, with the help of dozens of RISD Museum visitors, Providence artist Xander Marro recently created one minute of black and white magic.

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."