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showing 24 search result out of 208

  • Books

Cocktail Culture

Ritual and Invention in American Fashion 1920 - 1980
  • Books

The Brilliant Line

Following the Early Modern Engraver, 1480-1650
  • Books

Chihuly At RISD

  • Journal

From Dürer to Van Gogh

Gifts from Eliza Greene Radeke and Helen Metcalf Danforth
  • Books

Selected Works

  • Books

Edgar Degas

Six Friends At Dieppe
  • Books

European Paintings and Sculpture, ca. 1770 - 1937

  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

  • Books

Whistler to Weidenaar

American Prints 1870-1950
  • Books

American Furniture In Pendleton House

  • Books

Selection VII

American Painting from the Museum's Collection, c.1800-1930
  • Books

Selection V

French Watercolors and Drawings, ca. 1800-1910
  • Books

Selection II

British Watercolors and Drawings from the Museum's Collection
  • Books

The Albert Pilavin Collection

Twentieth-Century American Art. Bulletin of Rhode Island School of Design Museum Notes
  • Books

Exchange Exhibition, Exhibition Exchange

From the Collection of Rose Art Museum, Brandeis University; From the Collection of The Museum of Art, Rhode Island School of Design, Providence.
  • Books

Venice in the Eighteenth Century

Prints and Drawings
  • Books

The Lucy Truman Aldrich Collection of European Porcelain Figures of the Eighteenth Century

  • Books

Rhode Island Architecture

Maces and Chains

The Ritual and Regalia of Commencement
College Student Voices

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

Seeing the Peacock Feathers

College Student Voices

RISD Museum intern Alicia Valencia (RISD 2015, Furniture) explains how the act of looking closely formed her impressions on Samuel Gragg's Elastic armchair.

We Are What Is Not: Absence, Erasures, and the Unvisible

College Educators Studio Notes Teens

Collaborative reflections on the making and meaning of absences and erasures.

Understanding Art Through Thumbnail Sketching

How To Studio Notes

Drawing in a museum is a way of slowing down and experiencing artwork on a nonverbal level.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Seeking Visibility

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

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