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showing 24 search result out of 241

  • Journal

Glimpses of Grandeur

Courtly Arts of the Later Islamic Empires
  • Books

European Paintings and Sculpture, ca. 1770 - 1937

  • Books

Beauty in Hand

The Art of the Fan
  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

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Whistler to Weidenaar

American Prints 1870-1950
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American Furniture In Pendleton House

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Selection VII

American Painting from the Museum's Collection, c.1800-1930
  • Books

Selection V

French Watercolors and Drawings, ca. 1800-1910
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Selection II

British Watercolors and Drawings from the Museum's Collection
  • Books

The Albert Pilavin Collection

Twentieth-Century American Art. Bulletin of Rhode Island School of Design Museum Notes
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Exchange Exhibition, Exhibition Exchange

From the Collection of Rose Art Museum, Brandeis University; From the Collection of The Museum of Art, Rhode Island School of Design, Providence.
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Venice in the Eighteenth Century

Prints and Drawings
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The Lucy Truman Aldrich Collection of European Porcelain Figures of the Eighteenth Century

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Rhode Island Architecture

  • Digital Publication

[ 1

1 ] Artist Shuddhabrata Sengupta on Shah Shuja Hunting Nilgai

Maces and Chains

The Ritual and Regalia of Commencement
College Student Voices

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

Seeing the Peacock Feathers

College Student Voices

RISD Museum intern Alicia Valencia (RISD 2015, Furniture) explains how the act of looking closely formed her impressions on Samuel Gragg's Elastic armchair.

Understanding Art Through Thumbnail Sketching

How To Studio Notes

Drawing in a museum is a way of slowing down and experiencing artwork on a nonverbal level.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Seeking Visibility

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

American Drawings and Watercolors

William Stanley Haseltine's Amalfi
Curator Drawing

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

Excavation to Exhibition: The Afterlife of Ancient Objects

College From the files Student Voices

An intern explores the history of works from the museum’s ancient collection, tracing the archaeological excavations that brought them to light and into the permanent collection.

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