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showing 24 search result out of 278

American Drawings and Watercolors

Eastman Johnson's Child in Bed
Curator Drawing

Eastman Johnson was raised in Maine in a family of eight children, and

American Drawings and Watercolors

Albert Bierstadt's Landscape on the Rhine
Curator Drawing

Albert Bierstadt was born in Solingen, Germany, but came to the United States with his family in 1832 and settled with them in New Bedford, Massachusetts.

Artist in their studio

(Re)tracing the Silver Seaweed: A Maker's Process

College How To Student Voices Studio Notes Sustainability and the natural world Artist

This salad spoon and fork set, made by the Gorham Manufacturing Company ca. 1885, is named after the coastal town of Narragansett, Rhode Island. Replete with intricately detailed shells, seaweed, and sea creatures—including small fish and tiny crabs—these two sea-encrusted utensils were my point of inspiration for a set of five brooches. In the following article I will describe some of the basic processes used to create my Narragansett-inspired jewelry

silver polishing with cotton

Tracing the Silver Seaweed

College Conservation Student Voices Sustainability and the natural world

Isabella McCormick (Brown/RISD 2015) explores the intricacies of the Gorham Narragansett Salad Set and their reflections on Rhode Island culture, insights gained from her meticulous cleaning of the utensils as part of her Mellon Summer Internship in conservation.

Defending the Right to Live: Political Prints in Providence, 1971

College

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

Substitutions

College Studio Notes Artist

Composer Shawn Greenlee's experimental sound work Substitutions is inspired by the Chinese lithophone in the RISD Museum's Asian art collection

A black, curved abstract shape lies at the center of a piece of wrinkled tissue paper. Zig-zagging lines of thread intersect over and beyond the shape.

The Rejection of Closure

College Student Voices

Curatorial intern Grace Xiao reflects on viewing artwork that embraces instability, disruption, and restlessness, making room for open interpretations in the gallery.

The Hypersexualization of Black People

College Student Voices

RISD student Abena Gyampo traces the history of the hypersexualization of black bodies from the early 19th century to contemporary popular culture

Robert Mapplethorpe's Objectification of the Black Male Body

College Student Voices

RISD student Tito Crichton-Stuart analyzes Robert Mapplethorpe’s exoticisation of the black body and proposes potential acquisitions that could serve as counterpoints in the collection

An Ambitious but Essential Multi-Purpose Checklist for Discerning Black Artists

College Student Voices

1. Be steadfast.

A watercolor drawing of bluebells and white primroses surrounded by lush green leaves and grasses. In the front left of the image there is a nest full of blue eggs.

Brief Biography of Jane Ogden

Drawing

Artist Jane Ogden (British, ca. 1845–1928) painted flowers and other still-life subjects in oil and watercolor.

A grid of twelve pixelated rectangles

Seeing the History of Colonialism Through Resorts

College Student Voices

Artist and student Jade Cannata creates a chart describing the racial demographics of three all-inclusive resorts in locations with strong historical connections to colonialism, showing the effects of history on the present

Les Jeunes Mélomanes SIDE A + SIDE B

Student Voices

A student in a RISD course on pan-African aesthetics contemplates a vinyl record pictured in a Sanlé Sory photograph in the collection, and imagines the songs it contains.

Sartorial Anarchy

Mythocracy, Assimilation, and the Reclamation of Black Dignity
Student Voices

Juxtaposing Iké Udé’s photography with Sun Ra’s notions of "mythocracy" and Black Utopia, Ann-Maree Quaynor seeks to reclaim Black Dignity and Existence.

Rediscovering Diasporic

Student Voices

A student in a RISD course on pan-African aesthetics, inspired by a photograph in the collection, explores Black youth occupying space in movements from La Sape to Noirwave.

At the Circus with RISD Graphic Design Students

College Educators Faculty Teaching Studio Notes

Professor Jan Baker encouraged her letterpress class to become inspired by the Circus exhibition at the RISD Museum.

Black Hair Future

Student Voices

A student in a RISD course on pan-African aesthetics, inspired by a photograph in the collection, envisions future possibilities of Black hairstyling.

Sandy-toned, weathered stone slab with evenly spaced etched inscriptions filling the tablet and a broken-off bottom corner piece.

Reading Inscribed Letters from Roman Macedonia

RISD Museum’s important Greek inscription dates to the period when Rome dominated the Eastern Mediterranean.

Screenprinted graphic of Colonial pillow case created by Walker Mettling. Contains clues and findings for his research.

Artist Fellow Walker Mettling

on the Louisiana Purchase Exhibition Souvenir Textile
Studio Notes Artist

2017 Artist Fellow Walker Mettling delves into the history and context of a previously overlooked textile with colonial origins.

CMW Fellow Shawn LeSure performing by the Dainichi Buddha

Four Contemplations: A Composition Commemorating the Restored Dainichi Buddha

Happenings Studio Notes Artist

Community MusicWorks commissioned composer and vocalist Ken Ueno to write Four Contemplations for the restoration and rededication of RISD Museum's Dainichi Buddha.

Colored pencil drawing of a white middled aged woman in a bright blue dress and sunglasses. Sh is seated on a red chair and holds a colorfully embroidered purse in her right hand.

Portrait of an Embroidered Purse

A Conversation with Christina Bevilacqua
Student Voices Artist

The handmade object has a tendency to prompt memories from the craftsperson who made it. In this reflection on an embroidered purse from the 1970s, Ariel Wills and Kate Irvin are joined by maker Christina Bevilacqua for a dynamic conversation that demonstrates the narrative qualities embodied in material culture.

Home Page of the virtual exhibition Samurai At Leisure displayed on a model of a computer monitor.

Samurai at Leisure Taken into the Digital World

College Student Voices

A graphic design student at the Royal Danish Academy of Fine Arts in Copenhagen, Marta Jeż describes her virtual exhibition project and new possibilities of translating physical exhibitions into digital forms.

Woodblock print of a towering blue wave curling above two slender boats, spraying sea-foam and framing a distant Mount Fuji under a soft, stormy sky.

K-12 Virtual Visit

Katsushika Hokusai, Under the Great Wave, off Kanagawa, ca.1829-1833
Educators K-12 Virtual Visits

How did Japanese printmakers and poets of the 19th century express feelings and symbolic meanings through artworks depicting nature?

K-12 Virtual Visit

Liliana Porter, For You, The Conversation, and The Offering, 2001
Educators K-12 Virtual Visits

How does Liliana Porter use objects as playful characters in her prints? How can we create scenes using our own special objects and tell stories about them?

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