Digital Initiatives intern Ariel Hirschhorn explores the “Maker” field in the museum’s database to examine the collection from a programmer’s perspective

A summer intern’s written and visual re-interpretation of the gender dynamics in "The Fallen Angel," a 1968 series of photographs by Duane Michal

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

After a half-century's journey, Gorham's magnificent writing table and chair made for the 1904 St. Louis World's Fair returned home to Providence.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Plowing on Sunday, from about 1934

Reginald Marsh, the son of American artists Fred Dana Marsh and Alice R

It's impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.

This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).

Construction with Central Anchor is an image that I return to frequently with students in K-12 classrooms and in the RISD Museum.

The woman in Frank W. Benson's Lady Trying on a Hat has always been a character who caught my eye during visits to the Museum. From her averted gaze to the contrast between her white dress and the black hat, she is poised to play the lead role on the stage that Benson created.

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

The man in this painting lived in the same era and region as some of colonists seen in this gallery.

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

Out of Line is an open studio space that corresponded to the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum.

Isabella McCormick (Brown/RISD 2015) explores the intricacies of the Gorham Narragansett Salad Set and their reflections on Rhode Island culture, insights gained from her meticulous cleaning of the utensils as part of her Mellon Summer Internship in conservation.

The discovery of these treasures resembles that of a valuable manuscript. They are a new “Codex Africanus,” not written on fragile papyrus, but in ivory and imperishable brass.