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showing 23 search result out of 44

Wood in the Middle Ages

College Student Voices

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

Message from Director John W. Smith

Dear Museum Friends,

As the world bears witness to the recent tragedies of George Floyd’s death, the deaths of Breonna Taylor, Ahmaud Arbery, and the countless numbers of Black people before them, it’s difficult to feel like I have anything new to say on a subject that I should meet with respectful listening, but as the director of this institution it is my job to lead both in words and in deeds.

Gallery Guide / Kudzanai Chiurai: Iyeza

Curator

Full tgallery guide from the exhibition Kudzanai Chiurai: Iyeza

All That Glitters

Recent Research into Golden Garments
Conservation

For conservators, fabrics incorporating metallic components raise complex questions about construction, materials, and manufacturing techniques, all of which impact how an object will be stabilized and displayed

Confronting our Carbon Footprint

College Student Voices Sustainability and the natural world

Traditional museum practice has a gigantic carbon footprint. How is the RISD Museum changing its own practices in response to the climate emergency?

Crusading Saint

College Student Voices

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Master Craft

Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Ingres Study in Three Parts

Curator

Insights into Ingres's studio practice and clues to his intellectual process

Seeking Visibility

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

Pixilation Party!

Studio Notes Artist

Pixilation Party!, or how, with the help of dozens of RISD Museum visitors, Providence artist Xander Marro recently created one minute of black and white magic.

A copper-colored chair with an angular and open frame, with a symmetrical geometric pattern on the seat and backrest.

Objects by Architects

College Student Voices

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

An Ode to Fallen Angels Everywhere

College Student Voices

A summer intern’s written and visual re-interpretation of the gender dynamics in "The Fallen Angel," a 1968 series of photographs by Duane Michal

Marsden Hartley's Gorges du Loup, Provence

Curator

Over the course of his artistic life, Marsden Hartley sought unmediated

Confronting Ourselves Together

All-Staff Dialogues at the RISD Museum
Educators

Many museums today struggle with confronting their problematic legacies and transforming their current practices to become the diverse, inclusive institutions they aspire to be.

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

A black-toned painting with ominous abstract, elongated forms, faint linear details, small geometric white details, and a small cluster of green, blue, and red color.

Troubled Earth

College Student Voices

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

Excavation to Exhibition: The Afterlife of Ancient Objects

College From the files Student Voices

An intern explores the history of works from the museum’s ancient collection, tracing the archaeological excavations that brought them to light and into the permanent collection.

Black and white photograph of a woman of color sculpting a large stone block with hammer and chisel in hand. She is intent on her task.

Nancy Elizabeth Prophet

Reading List

This reading list is not exhaustive and serves as a starting point to learn more about Nancy Elizabeth Prophet.

Process Work: Watch/Read List

Additional resources for the Process Work exhibition

a group of people on scooters wearing pink and red ponchos

Interview with artist UuDam Tran Nguyen

Curator Student Voices Studio Notes

Editor of publications Amy Pickworth, intern Joanna Cortez, and curatorial assistant of contemporary art A. Will Brown interview UuDam Tran Nguyen about his single channel video Waltz of The Machine Equestrians--The Machine Equestrians (2012).

Objects Tell Stories

College Student Voices

A wooden “do not touch” partition usually separates the period room in Pendleton House from the public. But one Monday in June, that partition was removed, and museum staff peopled the room.

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