The RISD Museum is proud to participate in this non-partisan initiative of the American Institute of Graphic Arts (AIGA), which uses design to encourage civic engagement.

A graphic design student at the Royal Danish Academy of Fine Arts in Copenhagen, Marta Jeż describes her virtual exhibition project and new possibilities of translating physical exhibitions into digital forms.

A student in a RISD course on pan-African aesthetics, inspired by a photograph in the collection, envisions future possibilities of Black hairstyling.

Artist and student Jade Cannata creates a chart describing the racial demographics of three all-inclusive resorts in locations with strong historical connections to colonialism, showing the effects of history on the present

In 1971, a group of radical students in Providence produced stirring silkscreen posters. Their images contributed to the vibrant visual culture of antiwar protest.

The RISD Museum partners with the Studio Institute’s Arts Intern Providence Program to offer one part-time winter/spring internship pos

A look at the graphic-design inspiration and challenges behind Circus.

In December of 2016 the RISD Museum needed to deinstall its European Galleries in order to renovate them.

This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians' expectations of Inuit art.

2017 Artist Fellow Walker Mettling delves into the history and context of a previously overlooked textile with colonial origins.

Inspired by the European galleries, graphic designer Kelly Walters explores 19th-century notions of exoticism and beauty through the creation of a folded broadsheet poster.

What are the essential questions museums need to ask themselves to understand the future of art?

In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.

In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.

Professor Jan Baker encouraged her letterpress class to become inspired by the Circus exhibition at the RISD Museum.

Graphic design students and professionals offer their visions of "Graphic Design Next."

The RISD Museum was an essential part of my childhood.

Artist Anya Ventura explains the context behind an audio tour and printed guide that she and Anther Kiley created illustrating episodes from the lives of seven objects from the Museum's galleries. Their 2012 work "Fragments" was one of the winning projects in the RISD Museum's annual *Sitings* competition for site-specific installations by RISD degree candidates.

As the RISD Museum hosts the final stop on the tour of Graphic Design: Now in Production, an exhibition that began at the Walker in 2011, we're starting a series that updates the show by checking in with some of the designers featured in it, to see the work they have been doing since 2010.

This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).

RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.

Painting student Davis Lloyd recollects stumbling across an unlikely source of inspiration, and connection between ancient art and contemporary painting.

In the flood of digital-ness that comprises our daily experience, it can be easy to forget that most of what all of our complex devices are doing is simply counting. It's no coincidence that the word digital comes from digits, our fingers, that most elementary of counting machines.