A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

A student in a RISD course on pan-African aesthetics, inspired by a photograph in the collection, explores Black youth occupying space in movements from La Sape to Noirwave.

RISD student Tito Crichton-Stuart analyzes Robert Mapplethorpe’s exoticisation of the black body and proposes potential acquisitions that could serve as counterpoints in the collection

Artist and student Jade Cannata creates a chart describing the racial demographics of three all-inclusive resorts in locations with strong historical connections to colonialism, showing the effects of history on the present

RISD student Abena Gyampo traces the history of the hypersexualization of black bodies from the early 19th century to contemporary popular culture

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

Exploring the process and context behind "Bromance", a new work created by Providence artist J.R. Uretsky.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Albert Bierstadt was born in Solingen, Germany, but came to the United States with his family in 1832 and settled with them in New Bedford, Massachusetts.

Childe Hassam, a successful young book and magazine illustrator, made h

Plowing on Sunday, from about 1934

Reginald Marsh, the son of American artists Fred Dana Marsh and Alice R

Community MusicWorks commissioned composer and vocalist Ken Ueno to write Four Contemplations for the restoration and rededication of RISD Museum's Dainichi Buddha.

Why is an Etruscan situla, or pail, one of the most important objects in RISD's ancient collection? We examine its form, decoration, and context to understand its unique place in European archaeology.

The RISD Museum looks back at 100 years of its docent program, and the program's origins and evolution.

A rare female artist, Diana Mantuana's engraving of Atilius Regulus in a Barrel plays an important role in the history of the practice of printmaking and its reception in Renaissance Italy.

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

Curatorial Assistant A. Will Brown on Donald Moffett's Lot 022405.

As the RISD Museum hosts the final stop on the tour of Graphic Design: Now in Production, an exhibition that began at the Walker in 2011, we're starting a series that updates the show by checking in with some of the designers featured in it, to see the work they have been doing since 2010.

As a curatorial intern for the Contemporary Art Department at the RISD Museum during the summer of 2016, I was introduced to the in-depth experience of museum work.

A time lapse view of the installation of the RISD Museum's groundbreaking exhibition Artist/Rebel/Dandy: Men of Fashion.

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.