Students in Jane'a Johnson's wintersession course explore works in the collection related to Pan-Africanism through Instagram-based creative projects.

Anya Ventura visits the studio of Rhode Island stone carver Tracy Mahaffey.

Composer Shawn Greenlee's experimental sound work Substitutions is inspired by the Chinese lithophone in the RISD Museum's Asian art collection

Eastman Johnson was raised in Maine in a family of eight children, and

Plowing on Sunday, from about 1934

Reginald Marsh, the son of American artists Fred Dana Marsh and Alice R

Over the course of his artistic life, Marsden Hartley sought unmediated

Artist Nafis White on her project Raid the Database 2

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Nancy Prophet fellow Amber Lopez interviews artist Ariel Jackson her video *The Origin of the Blues*

A glimpse into the lives of international merchants in Canton, China.

In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

How does a landscape painting made in 1828 by English-American artist Thomas Cole both reinforce and intervene in settler-colonial ideas about the environment and Native American people?

A digital reinterpretation to Daniel Marot's clock print, merging old and new, exploring time's essence through evolving dimensions

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements