The American and European jewelry collection at the RISD Museum, part of the Decorative Arts and Design Department, is made up of more than 800 works, including necklaces, earrings, bracelets, and rings from the medieval period to present day.

RISD student Abena Gyampo traces the history of the hypersexualization of black bodies from the early 19th century to contemporary popular culture

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

Safely stored away during gallery renovations, all 196 pieces of RISD's Gilded Frost and Jet Chandelier by Dale Chihuly have been expertly reinstalled.

Exploring the process and context behind "Providence", a work created by Warren artist William Schaff.

After a half-century's journey, Gorham's magnificent writing table and chair made for the 1904 St. Louis World's Fair returned home to Providence.

This rare example of Gorham's "Mythologique" flatware service was purposefully left unfinished as they are samples, combining elaborate hand-worked detail with mechanized brute force.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Albert Bierstadt was born in Solingen, Germany, but came to the United States with his family in 1832 and settled with them in New Bedford, Massachusetts.

Eastman Johnson was raised in Maine in a family of eight children, and

William Stanley Haseltine first studied painting in Philadelphia with t

Childe Hassam, a successful young book and magazine illustrator, made h

Five works on paper in the RISD Museum’s collection follow the arc of C

Over the course of his artistic life, Marsden Hartley sought unmediated

The Museum recently acquired *Huevos de Los Angeles*, a collaborative work by two RISD alumni, Adam Silverman and David Wiseman. Here the artists describe how they created "eggs" to rival the most coveted variety.

This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians' expectations of Inuit art.

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

2017 Artist Fellow Walker Mettling delves into the history and context of a previously overlooked textile with colonial origins.

A chance meeting between the wife of President Rutherford B. Hayes and Theodore Davis, an illustrator and journalist for "Harper's Weekly", in the White House conservatory produced one of the most extraordinary dinner services.

For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from aro

Intern Margaret North finds that every successful treasure hunt has a moment of shining glory.

RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.