The RISD Museum partners with the Studio Institute’s Arts Intern Providence Program to offer one part-time winter/spring internship pos

In this series, RISD Museum curator Dominic Molon considers the importance and setting of the studio, and calls on Rhode Island artists.

Marking the Museum’s entrance into online publishing, Altered States: Etching in Late 19th-Century Paris combines a scholarly collection of essays with a video glossary of printmaking techniques.

Curatorial assistant of contemporary art A. Will Brown on "Raid the Database 2 with Nafis White"

Traditional museum practice has a gigantic carbon footprint. How is the RISD Museum changing its own practices in response to the climate emergency?

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

Exploring the process and context behind "Geku", a work created by Pawtucket artist Brian Shure.

A summer intern reflects on diversity in the museum's Western European galleries and suggesting curatorial strategies for greater visibility

William Stanley Haseltine first studied painting in Philadelphia with the German expatriate Paul Weber, who encouraged him to continue his training in Düsseldorf.Haseltine attended the Univer

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."

Architects have been recognized as key figures in furniture design since the late 19th century, although they've certainly been designing furniture for far longer. But what compels them to do so?

Many museums today struggle with confronting their problematic legacies and transforming their current practices to become the diverse, inclusive institutions they aspire to be.

A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

This reading list is not exhaustive and serves as a starting point to learn more about Nancy Elizabeth Prophet.

Additional resources for the Process Work exhibition

In earlier decades, retouching (or “inpainting”) using reversible painting materials would have been employed where compositional elements were missing.

Graphic design students and professionals offer their visions of "Graphic Design Next."

RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.

Exploring the process and context behind "Open House: Five Engraved Scenes", a work created by Providence artist and RISD faculty Andrew Raftery.